red carpet 810
Script created with Final Draft by Final Draft, Inc.
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MONTAGE
A young girl, SAMANTHA ASHLEY growing up in a privileged
environment:
- A lavish birthday party crying on a pony ride
- Disneyland
- television appearances with her famous actress mother
- Hawaii
- Joining her mother on the set of a movie
- Getting a Mercedes Benz on her 16th birthday
END OF MONTAGE
CUT TO:
INT. A HUGE BATHROOM - AFTERNOON
Present day - A beautiful, grown-up Samantha, 23, is now
getting ready for a formal outing. Sam is in a huge,
luxurious bathroom, people are rushing around her. A make-up
man is trying to do her face. Samantha's assistant LINDA,
walks into the bathroom with a beautiful dress.
LINDA
Samantha, you decided on the Gucci,
right?
Samantha looks to see the dress. The makeup man is upset at
her fussing.
MAKEUP MAN
If you keep turning your head,
you're going to look like Tammy
Faye Baker on the most important
day of the year.
SAMANTHA
Who?
A handsome young man walks into the bathroom. He is Jonny
Hartland, her sometime boyfriend/movie premier escort. He's a
model, part-time actor who looks good, but that's all he has
going for him. His given name is John, but changed it to
Jonny "for cosmetic reasons." Enough said.
JONNY
Is there any water in the house?
Samantha looks at him.
SAMANTHA
Yes, there is. There is this thing
in the kitchen. It's called a
faucet. You turn the handle and
water comes out. A simple process.
Really.
Jonny looks at her like she's ask him to drink lye.
JONNY
I can't drink that kind of water.
That's drinking water. I need
bottled water. What about beer? Do
you have any beer anywhere.
SAMANTHA
I have no idea. Check the
refrigerator in the pool house.
Jonny walks out. The makeup man's eyes follow.
MAKEUP MAN
He's not the brightest one, dear.
But he sure looks good.
Linda is still standing there holding the dress.
LINDA
Sam…
SAMANTHA
I'm sorry, Linda. Yes, I'm going to
wear the Gucci.
LINDA
Like a glass of wine or something
to relax?
SAMANTHA
I would love a Grey Goose
Cosmopolitan.
LINDA
I'll make one for you.
Linda waits for a response, maybe a thank you, but Samantha
just checks her nails.
EXT. AWARD SHOW - EVENING
A stretch limousine arrives at the Academy Awards. The red
carpet, the paparazzi, the television hosts vying for the
stars attention. The biggest night in Hollywood. Stars
dressed to kill, walk up the red carpet.
Pushy photographs vie for position, entertainment television
hosts grab celebs for impromptu interviews.
A smiling Samantha emerges from her limousine, Jonny at her
side. The fans yell her name and she waves to them. She is as
used to the attention as any woman her age could be, having
grown up in the middle of it. A TV hostess beckons her.
TV HOSTESS
Samantha....Samantha...
Samantha sees the hostess and makes her way over for an
interview.
TV HOSTESS (cont'd)
Samantha, how are you and you look
lovely this evening. Who are you
wearing?
SAMANTHA
I'm great, thanks, and I'm wearing
a Gucci dress and of course
Diamonds by Henry.
TV HOSTESS
You look simply marvelous. Who's
your this handsome man?
Samantha doesn't like sharing the spotlight but Jonny smiles
and waves to the camera.
SAMANTHA
(smiling but not meaning
it)
This is Jonny Hartland.
Samantha's hoping he doesn't say much. But he has to say
something to promote himself.
JONNY
Soon seen in The Best Revenge!
He flashes a huge, perfect, practiced smile as the camera
moves to a closer view of Samantha, cutting Jonny out of view
completely.
TV HOSTESS
Samantha, you are up for Best
Actress for your wonderful role in
Lakeside Park and Jill Sanders is
up for the film Who am I?
Samantha smiles politely at the name of her rival.
TV HOSTESS (cont'd)
I hear from my sources that you are
both up for the role of Dana, from
the runaway best seller, Heights of
Despair. Since you share an agent,
I'll bet things around that office
are a little tense.
Samantha puts on her most honest and forthright face and
tells the huge, but expected lie.
SAMANTHA
Of course not. Jill and I are the
best of friends I'll be happy for
whoever gets the role.
EXT. AWARD SHOW - EVENING
Samantha's chief competitor, JILL SANDERS arrives with her
date, an aging male star, ROLF, known for his sexual appetite
as well as his six marriages.
Jill makes her way up the red carpet, waving smiling sweetly
to the adoring crowd.
The camera moves in on Jill. She moves close to Rolf.
JILL
(smiling sweetly, lips not moving)
I hate these damn things. They're
all goddamn parasites.
ROLF
A necessary evil. They also pay for
our houses and vacations.
JILL
I don't care, I hate them all.
Samantha walks away from the TV Hostess as Jill arrives for
her interview. Samantha and Jill lock eyes for a brief
moment. It's clear that they don't like each other. Jonny and
Jill eyes also lock for a brief instant.
Shouts from the crowd.
CROWD
Jill, Jill…
Jill walks over to the TV Hostess. Rolf stays back, allowing
Jill to enjoy the spotlight alone.
TV HOSTESS
Jill Sanders! How are you dear?
Jill smiles sweetly, ever the actress.
JILL
I'm great, and you look better
every year. Who are you wearing
this year?
The TV Hostess is charmed by this well-thought-out turn.
TV HOSTESS
Why, it's an old thing by Dior.
JILL
Well, it's lovely.
TV HOSTESS
Thank you, but it's now my turn.
Who are you wearing darling?
JILL
Vera Wang, and I love it. I feel
like a princess wearing it.
She does a little twirl.
TV HOSTESS
You look beautiful. You are the
odds-on favorite to win your first
best actress award tonight. How do
you feel about your chances?
JILL
Oh, I don't know. Everyone was so
great, Robin, Julia, Kate..I'm just
honored to be mentioned in the same
sentence.
Samantha is obviously omitted from her accolades.
TV HOSTESS
Well thank you dear and good luck.
JILL
Thank you.
Jill smiles at the camera and walks down the red carpet to
her next interview.
INT. CROWDED AUDITORIUM - LATER
The crowded auditorium is filled with Hollywood royalty. Two
presenters are standing at the podium. They open an envelope.
PRESENTERS
And the award goes to.....Jill
Sanders for Who am I..
The audience applauds politely. She may not have been their
choice. The camera cuts to Samantha who is clapping but a
little disappointed in losing. Jill takes her time walking to
the podium where she is greeted by the two presenters and
given the coveted award.
JILL
I'm shocked...I don't even have a
speech prepared...
(dramatic pause)
First, I'm just honored to
nominated. Being in the same
category with Robin, Julia and
Kate is such an honor.
She omits Samantha once again.
JILL (CONT'D) (cont'd)
I want to thank my agent, Kyle
Bronson, Paramount for making this
wonderful picture, my director, of
course my mom and dad and of course
all my fans whom I love dearly.
Thank you all.
She leaves the stage to applause.
INT. AGENTS OFFICE - FEW DAYS LATER
Inside uber-agent KYLE BRONSON's huge office sits Samantha.
Kyle and Samantha sit on comfy chairs with director GORDON
WINSTON sitting on a couch. They aren't talking, just
checking watches, obviously waiting on someone. Jill opens
the door looking like she's been up all night, clutching a
cigarette and Starbucks grande in one hand and her award in
the other. She makes a show of putting it in the coffee table
in front of Gordon then takes a seat next to him. Kyle rises
from his chair.
KYLE
I guess we all know why we are
here.
(pause)
Dana.
(pause)
The most coveted female role since
Scarlett O'Hara. I think we all
know the book and the character.
And I'm lucky enough to represent
the two lovely ladies that are up
for the role.
Gordon rises from his seat.
GORDON
The role of Dana's sister Melissa
is a smaller, supporting role, but
is a demanding role, that in some
ways will test the actress more
that the lead.
KYLE
We want to test you both in both
roles, then see who fits best in
which role. Does that sound good?
Jill is visibly upset.
JILL
See that award? Do you want to know
what its saying? It's telling me
that I don't have to audition.
She blows smoke in Samantha's direction. Sam fakes a cough
and waves the smoke away.
SAMANTHA
The award tells me that you got a
great script and slept with the
director to get the role.
Samantha gets an evil glare from Jill. Gordon attempts to
stop the fight at the start.
GORDON
Julia Roberts still auditions...
Jill will hear none of this.
JILL
I will not play a supporting role
to her. I don't care if she is
Hollywood royalty, whatever that
means. I've earned this. I've lived
Dana's life, I know that role.
The closest she's come to adversity
and pain was when she had to drive
herself to Rodeo Drive and broke a
nail.
(To Samantha)
And I never slept with him, even
though he begged me.
Samantha leans back smiles.
SAMANTHA
I have no problem auditioning for
the roles.
(To Jill)
And I have had to overcome
adversity and pain, thank you very
much.
Kyle tries to intervene.
KYLE
Jill, just a screen test.
JILL
I've live the role, I don't need to
test. She needs to test. She's not
even a grown up. She's never had to
support herself. Her mother got her
into this business. She couldn't
live the role of Dana, she couldn't
even live the life of a regular
woman. She's too spoiled.
(To Samantha)
Have you ever fixed yourself dinner
or done your own laundry?
SAMANTHA
I won't even bother to answer those
idiotic questions.
Because she hasn't done those things.
JILL
(to Samantha)
The answer is no. You haven't. I
grew up taking care of two brothers
while my mother worked to put food
on the table. I cooked, I cleaned.
Everything.
SAMANTHA
To play a role doesn't actually
require a person to actually have
lived that role. That's why it's
called acting.
It's quiet in the room.
GORDON
Jill, you say Samantha hasn't lived
the role so she doesn't deserve it.
What if she does live it? Will you
audition then?
Jill laughs at the suggestion.
JILL
If she lives it, she can have the
role.
Samantha is intrigued by the idea.
SAMANTHA
What would I have to do?
Gordon thinks for a moment.
GORDON
What if she has to live as a normal
twenty-something woman? That means
no limousines, no expensive
dinners, no laundry service.
Samantha is skeptical. So is Jill
SAMANTHA
For how long?
GORDON
For two months?
Jill likes this idea, but presses it a bit.
JILL
Four months.
SAMANTHA
Three months.
Kyle is concerned. Can she do it?
JILL
I have a few conditions of my own.
Nobody can know who she is.
She has to get a real job, her own
apartment and actually pay the
rent. No credit cards. And I want
pay stubs.
Samantha has a few negotiating points herself.
SAMANTHA
I get a credit card for emergency
purposes, and five thousand dollars
to start out with.
Jill wants to make it as hard as possible.
JILL
A credit card with a thousand
dollar limit and twenty-five
hundred cash.
SAMANTHA
Fine.
KYLE
(to Samantha)
Where are you going to go?
JILL
She has to go somewhere nobody
knows her. I don't want her getting
any help.
SAMANTHA
I was thinking maybe Malibu? Laguna
Beach?
JILL
She needs to be further away,
someplace far away from L.A. and
she can't tell anyone who she is.
If anyone finds out who she is, I
get the role. If she doesn't make
it the full three months, I get the
role.
GORDON
I'm fine with those conditions.
Kyle?
KYLE
I don't know. Something tells me
that this can't end well.
Kyle is worried about losing one of his major stars.
SAMANTHA
I can do it. It will be role
research. I have one condition
though. Jill can't know where I'm
going. TMZ will have someone
waiting for me if she knows where
I'm going.
JILL
Fine. Like I'd need stoop that low
that to get the role.
KYLE
I guess we have a deal.
A deal where nobody seems happy at all.
INT. FANCY RESTAURANT - EVENING
Samantha and Jonny are having a good-bye dinner.
JONNY
So you will be gone how long?
SAMANTHA
Three months.
JONNY
Why again?
SAMANTHA
I told you. Role research.
JONNY
I don't get all that. It's just
words on paper. Read them and do
what the director says.
SAMANTHA
Sometimes it helps to get the role
down, you know to really feel how
the person feels.
JONNY
Who?
SAMANTHA
The role.
A confused Jonny picks up a roll from the basket and hands it
to her, flashing a sincere smile. Samantha just looks at the
roll for a moment, realizing that he isn't really grasping
the conversation and finally takes the roll and smiles back.
JONNY
What were we talking about?
SAMANTHA
Your fish. How is it?
JONNY
Yummy.
INT. AGENTS OFFICE
Samantha and Kyle are in his office. He hands her an
envelope.
KYLE
Here is twenty-five hundred dollars
and a credit card. Do you have your
birth certificate, drivers license
and social security card?
SAMANTHA
Yes, all of them.
KYLE
You're going to have to go the
Secretary of State and change your
license when you get there. You let
it expire a year ago.
Samantha looks at the documents. She pulls out the drivers
license.
SAMANTHA
I can do that. I'm pretty sure I
can.
KYLE
I know you can. Quick test: What's
your name?
SAMANTHA
Mary Samantha Ashley Donner. My
legal name.
KYLE
Just checking. With your brown hair
and glasses, nobody will know its
the great, the famous, the
beautiful Samantha Ashley.
She smiles at his compliment.
SAMANTHA
What are you going to tell everyone
about where I am?
KYLE
I have a press release drafted that
says you are going to Africa to on
a relief mission.
SAMANTHA
Wish I was. Maybe adopt one or two
orphans.
KYLE
I don't think that's a good idea at
this stage of your life. Have you
ever been to Michigan?
SAMANTHA
Once, I think.
KYLE
Well you're going there now. We
want you to have an Dana authentic
experience. You're going to Caro,
Michigan, a couple hours north of
Detroit. Small town. Population
about 400. Lots of farms. Quaint is
a word that comes to mind.
Samantha isn't pleased. She was hoping for a bigger city,
somewhere more metropolitan.
SAMANTHA
What will I do there? I can be a
designer, or writer, you know write
commercials, movies...
KYLE
I don't think there will be many
positions like that there. You'll
probably have to waitress or be a
cashier or something. Maybe work on
a farm.
She's a little disappointed. She thought she'd have an
interesting position doing something fun.
SAMANTHA
I'll find something fun to do.
KYLE
I'll need all your credit cards.
She opens her wallet and takes out about 15 credit cards and
hands them to Kyle. Kyle holds out his hand.
KYLE (cont'd)
I-phone?
Samantha hugs her lifeline to the world.
SAMANTHA
I can't keep mine?
KYLE
I got you one that only I have the
number for.
Samantha reluctantly gives him her phone and takes the other.
KYLE (cont'd)
This way you won't be distracted by
all the calls while you're away.
SAMANTHA
How will I know what's going on
here?
KYLE
The television news. If there's
anything important that I think you
should know about, I will call you.
Samantha sighs heavily.
SAMANTHA
When do I leave?
KYLE
Tomorrow morning. A 10:00 a.m.
flight to Detroit then you go about
two hours north to Caro. I made
maps for you.
Kyle hands her a folder.
SAMANTHA
Will there be a limo waiting for me
there?
Kyle slowly shakes his head. Samantha pouts.
INT. SAMANTHAS CLOSET
Samantha is supervising the packing her suitcases by her
assistant, LINDA. Samantha is wearing glasses and her hair is
dyed it's natural brown.
Without makeup she looks very pretty but surprisingly
unglamorous. Samantha is looking through her clothes and
holds up a shirt.
SAMANTHA
I love this silk shirt.
She hands it to her Linda. Linda reads the tag and frowns.
LINDA
This is hand wash only, are you
sure you want to take it?
Samantha is annoyed at this question.
SAMANTHA
(indignant)
I am capable of doing something as
simple as washing a shirt.
LINDA
I'm sorry, I didn't know if it
would get ruined.
Samantha realizes she was a little harsh.
SAMANTHA
I'm sorry Linda, I'm just a little
stressed about this trip.
She hands Linda some pink pumps.
LINDA
Do you think those will be
necessary in Nambia?
INT. PLANE - DAY
Samantha (who will now be known as Mary) sits in first class,
enjoying her last taste of luxury for a while. She reaches
for the last of her champagne and drains it. The flight
attendant reaches for her glass, but Mary grabs it.
MARY
I'm not quite through, thank you.
The flight attendant is taken aback by the way Mary snapped
at her.
FIGHT ATTENDANT
I'm sorry ma'am, we will be landing
soon.
MARY
Do you..
Mary realizes, she's not her Hollywood self anymore. She's a
regular person now.
MARY (cont'd)
I'm sorry, I didn't realize that we
were landing this soon.
The attendant is given the glass and returns a smile to Mary.
INT. DETROIT AIRPORT - DAY
Mary deplanes and looks around, unsure of where to go or what
to do. She looks at all the signs figures out where to go.
She walks toward the luggage claim. She smiles at people,
secretly hoping to be noticed but nobody recognizes her.
INT - AIRPORT LUGGAGE CLAIM - MOMENTS LATER
Mary is collecting luggage...and luggage..and more luggage. A
porter comes to assist her.
PORTER
Would like some assistance?
Mary is tired and thankful for the help.
MARY
Yes, I need to get these in a car
and driven to Caro.
PORTER
Caro? Never heard of it..
Mary is frustrated and getting impatient.
MARY
I have a map here.
She takes the map out of her purse and opens it. The porter
looks at the map.
PORTER
That's about a hundred miles.
You'll never get a cab to take you
there.
MARY
Cab? I need a limo. I can't take a
cab.
The porter looks at her like she's crazy.
PORTER
Sorry miss, we don't have them
waiting outside. You'll have to
call and see if they will come.
Mary thinks about it. She can't afford a limo anyway.
MARY
What will a cab cost?
INT. STUFFED CAB - LATER
Mary is sitting in the back seat, surrounded by suitcases.
The cabdriver is looking at the map, shaking his head.
CAB DRIVER
I can't take you all the way there.
That's too damn far.
MARY
Well, what am I suppose to?
CAB DRIVER
Can you drive?
MARY
Yes.
CAB DRIVER
Then I suggest you rent a car.
EXT. CAB - DAY
Mary and all of her belongings are sitting on the sidewalk.
The cab driver looks at her like she's crazy and speeds off
looking for a fare.
INT. HERTZ RENTAL COUNTER - MOMENTS LATER
Mary is standing at the counter explaining her dilemma.
MARY
You don't have a long term rate for
renting one of these?
The agent is tired from explaining all of this to her.
RENTAL AGENT
Ma'am, we have weekly rates. At the
weekly rate, $168, times thirteen
weeks comes to $2184, plus tax and
mileage.
Mary thinks about it. She can't spend that much money to rent
a car.
EXT. USED CAR LOT - DAY
An typical urban used car lot, full of not just used, but
used-up cars. A cabbie is unloading the last of Mary's bags.
Mary and her luggage are now sitting in the middle of a used
car lot.
INT. USED CAR LOT OFFICE -DAY
The 50ish, overweight salesman/owner, NED KELLY, is sitting
at his desk looking outside at Mary. Ever the typical used
car salesman, he smiles, knowing he's got a guaranteed sale.
A good one at that.
EXT. USED CAR LOT - MOMENTS LATER
Ned is walking out to meet Mary. He sees the expensive
luggage.
NED
Hi, looks like you can use a car.
Mary is tired. It's been a long, stressful day already,
especially for a woman who's not used to doing anything
remotely strenuous.
MARY
Yes, I do.
NED
What type are you looking for? Car?
Truck? Van?
She starts optimistically.
MARY
Something sporty and foreign. Has
to be in good condition.
Ned smiles.
NED
Well let's start with price. How
much do you want to spend?
MARY
I don't know, maybe a thousand,
twelve hundred if it's really nice.
She obviously has no concept of car prices. Ned rolls his
eyes. He points to a dented, green Lumina
NED
See that one. That is what you can
get for twelve hundred dollars. Or
that minivan.
He points to a rusted Chrysler van. Mary is very
disappointed.
MARY
Ewwww. What about that one?
She points to an Accord
NED
That's a little more, six thousand.
Maybe fifty-five hundred.
Mary frown. Too much. She walks over to the blue Lumina and
opens the door. She sits in the drives seat. An odor hits her
nose. She almost gags.
MARY
What's that smell?
NED
I think the previous owner was a
smoker, I'll knock a couple hundred
off it for you. One thousand even.
I'll even include an air freshener.
She looks around the lot. She doesn't have much of a choice.
MARY
I'll guess I'll take it.
EXT. BUSY SUBURBAN ROAD - DAY
Mary is driving the green Lumina on the road, trying to find
a radio. She stops for a light and checks the map. A carload
of high-school girls pull along side of her in a new BMW. The
girls point at the piece-of-shit Lumina. Mary is embarrassed
and pissed off.
MARY
At least I paid for mine.
The girls in the BMW laugh and take off, leaving Mary at the
light.
INT. GAS STATION - EVENING
On a road north of the city of Detroit, Mary pulls into the
gas station next to a gas pump. She waits. And waits.
A man in a truck pulls and fill his truck, looking at Mary,
trying to figure out what she's doing. He finishes and pulls
out, leaving her alone the gas station. Finally after a
minute, the cashier comes out and over to her window.
CASHIER
Is there something wrong?
MARY
Well, I have been waiting for a
long time for someone to put gas in
this thing.
CASHIER
This is self serve. It means you
have to put the gas in yourself.
This is a surprise to her.
MARY
Oh. Okay.
He turns and walks away. Mary gets out of the car, unsure of
what to do. She walks to the pump and reads the directions on
it. She can apparently follow directions because she lifts
the nozzle out and goes in search of the gas tank. She finds
it on the other side of the car. She pulls the hose to the
other side where the hose won't reach. She tries pulling it,
only to have it slip out of her hands and bounce across the
roof. The intercom crackles to life.
INTERCOM
If you pull your car around to the
other side it will be much easier.
She stops and thinks about it. She gets in and pulls the car
around. She get out and starts again. Finally she gets the
nozzle in the gas tank. She waits and waits. Satisfied there
is sufficient fuel she goes inside to pay.
INT. GAS STATION - MOMENTS LATER
The cashier is waiting for her, unsure if this is really
happening.
CASHIER
You have to squeeze the handle in
order to get the gas to go into the
tank.
MARY
Oh really?
INT. LUMINA - EVENING
It's getting dark and Mary is driving through cornfields.
She's trying to find a radio station. The windows are open,
she keeps spraying perfume to cover up the odor. Up the road
is a run-down, no-frills motel. She pulls in.
INT. MOTEL - NIGHT
She opens the car door. It's dark. Darker than shes ever
seen. The clear midwest sky is full of stars. She stops to
look up at the stars and listen to the crickets and frogs
calling loudly. She walks into the motel. A sleepy clerk
greets her.
CLERK
Good evening.
MARY
Hi. Is it always this noisy at
night?
CLERK
Is what always this noisy ma'am?
MARY
That noise, outside.
CLERK
Oh, the crickets, yea, they can
make quite a racket on hot July
nights. I guess you get use to them
after a while. What can I do for
you?
MARY
I need a room for the night.
CLERK
Got a single room for thirty five
dollars.
MARY
That's fine. Is room service still
available?
The clerk stares blankly into her eyes trying to figure if
she is serious.
CLERK
(deadpan)
I'm afraid our chef has gone home
for the evening.
Mary seems to believe this. She reaches in her purse to pay
him.
MARY
Okay, is there a place around here
that I can get something to eat
right now?
The clerk thinks.
CLERK
There's a gas station about a mile
up the road. They are open all
night.
He hands her the room key.
CLERK (cont'd)
Room seven, fourth on the right.
They have a good hot dog and frozen
coke deal going right now.
Mary grimaces.
MARY
Aren't there any places with sushi
or fresh salads near here?
CLERK
Well, there is a new Walmart in
Caro, about forty miles north. I
hear they have a nice big salad bar
and they are open all night. Not
real sure about the sushi though.
INT. HOTEL ROOM - LATER
Mary is in the room, choking down an ugly hot dog and
drinking the first of many Smirnoff Ice beverages. She
switches channels on the TV. Nothing on. She keeps clicking.
MARY
Shit.
INT. LUMINA - MORNING
Mary looks a little rough, driving the rest of the way to her
new home. She's drinking bitter gas station coffee and hates
it.
MARY
I would pay one thousand dollars
for a Starbucks non-fat Latte right
now.
She passes: corn fields...more corn fields....sugar beet
fields...soy fields...finally a sign:
Welcome to Caro
It's a small town. One main street with a brand new Walmart.
She pulls out her cell. Dials a number.
MARY (cont'd)
Kyle, I'm here.
(pause)
No, bought a car.
(pause)
I think I'll be okay.
(pause)
I mean what can happen in this
little town?
(pause)
Get a job and a place to live. The
piece of shit car cost me almost
half of my cash. Kyle, how do I get
a job?
MONTAGE
- Mary in an office. A woman shaking her head.
- Mary in another office. A man shaking his head.
- Mary in a clothing store. Nothing here either.
EXT. CARO MAIN STREET - DAY
Mary's holding a newspaper and walking down the street
looking for a store. She finds it. Emery's Market. She opens
the old door and steps onto the ageless wooden floors. Except
for the type of merchandise, they store could have come
straight out of the 50's. Mary walks around looking at the
items, almost stumbling on an old lady, Myna, tending the
lower shelves.
MARY
I'm sorry, I didn't see you
MYNA
Excuse me, dear.
Mary steps back to get a better look. MYNA EMERY stands about
4'11 and is 78 years old.
MARY
I'm terribly sorry, I wasn't
watching. Do you work here?
MYNA
For the past 54 years I have. I'm
Myna.
She offers a hand and gives Mary a surprisingly strong
handshake.
MARY
That's a coincidence, I'm looking
for a Myna. I'm Mary and I'm here
for the job.
Myna smiles.
MYNA
Wonderful, after that new place
opened, we have had a hard time
keeping people.
MARY
Walmart?
Myna puts her finger to her mouth.
MYNA
Please don't say that name.
George's blood pressure rises each
time he hears that name.
MARY
Who's George?
MYNA
The store owner. He can be a bit of
a curmudgeon. But I can deal with
him. He's been my husband for fifty
seven years.
Mary is shocked and impressed. Most marriages in Hollywood
don't last fifty-seven weeks.
MARY
Wow, that must be some sort of
record.
MYNA
Naaa, not even in my own family. My
parents were together sixty-six
years. Let's go get you an
application.
They walk to the counter. Myna pulls out a one page
application. GEORGE EMERY, 81 walks slowly from the back
room.
MYNA (cont'd)
(to Mary)
Just put your name, address and
social security number on it. I
don't need the rest of that stuff.
MARY
I'm kind of in-between addresses
right now. Can I give that to you
later?
MYNA
Sure dear.
(to George)
George, this is Mary. She's here
for the job.
GEORGE
Nice to meet you. Mary's a good
name. Don't like those names like
Brittany or Tiffany. Just can't
trust 'em.
As George walks away, Mary fills out the application and
hands it to Myna. Myna examines the application.
MYNA
Okay Mary, have you ever worked a
cash register?
MARY
No, but I'm a quick learner.
MYNA
Have you ever stocked shelves?
MARY
No, but I can empty them pretty
fast.
Myna smiles at her.
MYNA
Are you trustworthy? Have you ever
stolen anything?
Ashamed, Mary confesses.
MARY
Yes, when I was twelve, I stole a
bracelet from a store.
A $500 bracelet from Tiffanys.
MYNA
Did you get caught?
MARY
Not by the store, worse. My mom.
MYNA
What did she do?
MARY
She made me take it back and
apologize to the store owner.
MYNA
Well your mother did the right
thing. You're hired.
Mary smiles at Myna.
MARY
When do I start?
MYNA
Tomorrow morning. But I have to
tell you, we are trying to sell the
business so I can't promise you a
job if we are successful in finding
a new owner.
MARY
That's okay, I can't promise you I
will be here long anyway.
INT. CHEAP MOTEL ROOM - NIGHT
Mary tosses and turns on the bed, unable to sleep on the
cheap mattress. She turns on the TV. One of her first movies
is on TV. She starts to cry.
INT. EMERYS MARKET - NEXT MORNING
Mary knocks on the glass door. George walks slowly to the
door and unlocks it.
GEORGE
Good morning Mary.
MARY
Good morning.
She yawns, tired from lack of sleep. He leads her back of the
store.
INT. EMERYS MARKET OFFICE
Myna sits doing paperwork. Myna looks up at her.
MYNA
Good morning.
MARY
Good morning, Myna.
GEORGE
Would you like some coffee?
A fresh pot of coffee sits in the coffee maker.
MARY
I would love one. I looked for a
Starbucks on the way here.
MYNA
What's Starbucks?
MARY
It's a place that sells coffee.
GEORGE
That's all they sell?
MARY
Well, they also sell Cappuccino,
Espresso, Caffè Latte, Caffè Mocha,
Macchiato.
GEORGE
Never heard of such things.
MARY
They are coffees. Just different
types.
GEORGE
If coffee is all they sell, they
must sell it cheap.
MARY
It is pretty cheap. Under five
dollars a cup.
This bombshell freezes Myna and George.
MYNA
And people actually pay that much
for coffee?
George shakes his head.
GEORGE
Coffee, a beverage that is just hot
water poured through ground up
beans?
(to Myna)
Honey, we are in the wrong
business.
Myna pours a hot cup of her coffee and hands it to Mary.
MYNA
Here, dear. It's free.
Mary takes a sip. It's not as good as she is use to, but with
enough sugar, it will do.
INT. EMERYS MARKET - CASH REGISTER
Mary learning to use the cash register. It's an old push
button one. No bar codes here.
She rings up a soda and a can of soup. $126 dollars.
Myna shakes her head no.
She rings up a soda and a can of soup. 12 cents.
Myna shakes her head no.
She rings up a soda and a can of soup. $1.26.
Myna shakes her head yes. Finally.
Mary ringing up customers. They are mainly patient older
people smiling sweetly.
INT. EMERYS MARKET - DAY
Mary is stocking shelves. She uses a knife to cut open a box.
She cuts the top of the box off then reaches in to pull out a
box of cereal. She tips the box of cereal a little and cereal
falls out on the floor.
George walks by, shaking his head.
INT. EMERYS MARKET - DAY
Mary eating cereal out of the cut box while ringing customers
up.
INT. EMERYS MARKET - DAY
Mary is using the price gun to put prices on candy bars in a
box. She misses about half of them.
INT. EMERYS MARKET - DAY
Mary is leaning on the counter drinking a Red Bull. Myna
approaches her.
MYNA
Are you tired, dear?
MARY
Yes, a little.
MYNA
Well, go home dear, get some sleep.
Mary starts to walk to the door.
MARY
I have to go look at this room I
saw in an ad.
She shows Myna the ad.
MYNA
I didn't know you were looking for
a place to live.
MARY
I'm staying at the motel now. The
bed is terrible.
Myna walks toward the door and locks it.
MYNA
Honey, I know a place for you to
live. It's about two miles from
here and cheap.
They walk into the office.
INT. EMERYS OFFICE
Mary and Myna are in the office.
MARY
How cheap?
MYNA
How about $200 a month? Is that too
much?
MARY
That's cheap, I think. Where is it?
MYNA
It's above our garage. The farm
hands use to live there. It's nice
and roomy.
MARY
That would be perfect
MYNA
Now let's both get out of here and
I'll show you your new apartment.
EXT. EMERY HOUSE - EVENING
The couple pulls up in their old, but pristine Buick to a
farmhouse that is older than the store. It is in good shape,
but needs a little TLC. Mary pulls in behind them and looks
at the house and the surrounding farmland.
MARY
I haven't seen anything like this
outside of the movies.
GEORGE
You should have seen it back in the
day. We had over five hundred
acres, growing the best crops in
the county.
They walk toward the door.
MYNA
George's vegetables were winners
every year at the Tuscola County
Fair.
GEORGE
You won a few years yourself, with
your livestock and your peach pies.
They enter the house, which could double as a museum.
Everything is nice, but at least 30 years old with the
exception of the avocado range and refrigerator, and a
microwave.
INT. EMERYS KITCHEN - MOMENTS LATER
George sits at the table. Myna starts dinner.
MYNA
Breakfast is included and served
around seven.
GEORGE
Hope you like a big breakfast,
Mary.
MARY
Well, usually I just have a coffee.
MYNA
That's why you're so skinny, honey.
You need some breakfast to get you
going and to get those boobies to
grow. Come on out, I'll show you
your room.
An embarrassed Mary looks at her chest and follows Myna
outside.
INT. MARYS APARTMENT - MOMENTS LATER
The apartment is larger, and dustier than Mary expected. It
could use some work, but is liveable. The carpet is red. Very
red. There is a bathroom, but the bed is out in the main
living area along with a couch. Mary walks over to the closet
and opens the door. Some old flannel shirts hang in the
closet.
MYNA
I need to start dinner now. George
is on a schedule. Do you need help
with your things?
MARY
No, that's okay, I'll get them.
MYNA
Okay dear, dinner will be ready in
an hour, if you're hungry.
Myna leaves Mary's apartment. Mary takes a moment and looks
around the place.
MARY
Not quite the red carpet I'm
dreaming about.
EXT. MARYS CAR - MOMENTS LATER
Mary is pulling a heavy suitcase from the trunk.
EXT. MARYS APARTMENT - MOMENTS LATER
Mary lugging it up the stairs.
INT. MARYS APARTMENT
Mary finally getting the last of them in the new apartment.
She lays down on the bed and closes her eyes, falling fast
asleep.
INT. EMERYS KITCHEN - MORNING
Myna is cooking a big breakfast, eggs, bacon, hash browns.
George is reading the paper, drinking a cup of coffee. A
scene that has been repeating itself for decades. Someone
knocks on the door.
MYNA
Come in. It's unlocked.
They hear the door open. A refreshed Mary walks in to the
kitchen.
MARY
Good morning.
GEORGE
You don't need to knock next time,
just come on in. It's always
unlocked. You won't interrupt us,
believe me.
Mary laughs.
MARY
You leave it unlocked all the time?
MYNA
Sure. In case someone need to come
in.
Mary can't believe this.
MARY
Aren't you afraid someone will
steal something?
GEORGE
Nothing much to steal, but if
someone needs it more that we do,
well they must need it.
Mary isn't sure she's hearing this right.
MARY
Where I'm from, we have gates and
locks and alarms and guards.
GEORGE
Doesn't sound like a very safe
place if you need all that stuff.
Myna brings Mary a cup of coffee.
MARY
Thank you.
MYNA
You must be starving this morning.
You didn't join us for dinner.
GEORGE
You missed a mighty good pepper
steak.
MYNA
I went to see if you wanted dinner
but you didn't answer the knocking.
MARY
I was so tired, I fell asleep in my
clothes.
Myna is filling a plate with scrambled eggs, bacon, hash
browns and toast. She sets it in front of Mary. It smells
like nothing else she's ever smelled. She closes her eyes and
inhales the wonderful odors. George notices her.
GEORGE
You have to use the fork, Mary. It
won't get there any other way.
Mary opens her eyes and smiles at him.
INT. EMERYS MARKET - DAY
Mary is ringing up a customer. She is getting better now.
MARY
Thanks, have a good day.
The customer walks away. Before the customer exits. Two young
ladies enter. They are KAREN FOSTER, 22, and DEANNA SHOLTER
also 22. They are the best looking girls this small town has
to offer and they know it. They would be merely average,
maybe even below average by Hollywood standards. They walk
past some out-of-date and touristy tee-shirts and laugh.
Karen picks out an old studded tee-shirt.
KAREN
Who in their right mind would wear
this?
They look at it laugh.
DEANNA
I can't believe you actually worked
here.
They laugh and wander over to the counter. Karen looks over
at Mary. Something is familiar to Karen, but she can't put
her finger on it.
KAREN
I can't believe it either. How
stupid was I?
They both laugh.
DEANNA
Why did we come here anyway?
KAREN
I didn't feel like standing in
those long lines just for tampons.
I make enough, I can afford it.
Deanna plays along with her friends bragging.
DEANNA
How much does the head cashier at
Walmart make anyway?
Karen is pleased to tell her. Again. Playing it up for the
new girl.
KAREN
Eight-twenty an hour, plus
benefits.
Karen looks at Mary, who made about three million for her
last picture. Karen would have to work 40 hour weeks for 175
years to come close.
MARY
Wow. Eight-twenty an hour.
The girls turn and look at this girl. Who is she?
KAREN
Plus benefits.
Karen smile smugly and puts her tampons on the counter.
KAREN (cont'd)
Did you go to Owendale?
MARY
Not sure. What's an Owendale?
The girls laugh at her. Again.
KAREN
It's a school and a town about
twenty miles from here.
Mary is trying to be nonchalant about the confrontation.
MARY
Oh. I'm not from around here,
haven't heard of it.
Mary rings up the tampons.
KAREN
So why are you here? What brings
you to this shitty town?
Mary looks around to make sure nobody is listening, then
leans in to the girls.
MARY
Can you keep a secret?
Intrigued, they also lean in.
MARY (cont'd)
(softly)
The government put me here. Witness
protection.
The girls gasp. This may be the most exciting thing that's
happen to this town in... well they don't know of anything
exciting that's happened in Caro.
DEANNA
What did you see? What did you do?
Mary looks around. She leans in once again.
MARY
I saw a mob guy kill another mob
guy.
Both girls stare with open mouths.
KAREN
(Trying not to look
impressed)
So how did it happened?
Mary has no idea. She has to make something up.
MARY
I was a waitress in an Italian
place. I was getting ready to serve
some guy his veal and then, BAM,
his buddy shoots him in the head.
The scene from the Godfather.
MARY (CONT'D) (cont'd)
Then I dropped his food on the
floor.
DEANNA
Holy shit!! What did you do?
Karen looks on skeptically.
MARY
Nothing, I wanted to run, but I
couldn't. I was scared.
KAREN
So why didn't he shoot you?
MARY
I don't know, they have a code
about that sort of thing.
Deanna nods.
DEANNA
I heard about that...
Karen glares at Deanna.
KAREN
When have you heard about anything
about the mob?
DEANNA
(defensive)
I've heard things...
Karen turns back to Mary.
KAREN
So the government put you here to
hide?
MARY
Just until the trial, then I have
to go back to testify.
DEANNA
Aren't you scared?
MARY
Sure, a little. But they say I'm
safe here as long as I don't tell
anyone. You guys can keep a secret
cant you?
They can. But they won't. The whole town will know by dinner
time.
KAREN
Sure, we can keep it to ourselves.
MARY
Thanks. I appreciate that.
Mary motions to the tampons.
MARY (cont'd)
Did you want to pay cash or charge
these?
EXT. REAR OF EMERYS MARKET - EVENING
Mary exits the building through the rear door. Myna and
George are there to lock the door behind her.
MYNA
Should we expect you for dinner,
dear?
MARY
I think I'll go for a drive, eat
something while I'm out.
MYNA
Okay, drive carefully.
MARY
I will. Thanks.
Mary watches the elderly couple slowly enter their car and
drive away. She opens her car door and slides into her seat
and turns the key. It cranks and cranks and cranks. Tries
again. Same thing.
MARY (cont'd)
Shit.
INT. RESTAURANT - MOMENTS LATER
At a pay phone in a nearby restaurant, Mary thumbs through a
yellow pages. She finds an auto repair place. She dials the
number.
ANDY (O.S.)
P&A Service, Andy speaking.
MARY
Hi, my car won't start.
ANDY (O.S.)
I'm sorry, we closed about ten
minutes ago. Can I come and look at
it in the morning?
Mary isn't use to waiting for anything. This is such an
inconvenience.
MARY
Well I had plans tonight...
She's hoping this works.
INT. B&A SERVICE - EVENING
ANDY MACAULAY, 25, is a clean-cut, handsome young man who
looks extremely out of place in a garage. His work uniform is
neat and clean.
ANDY
What kind of car is it?
MARY (O.S.)
It's a green one.
Andy has to laugh.
ANDY
What kind of blue car is it?
MARY (O.S.)
Lummix...Lima....Luna..
ANDY
Lumina?
MARY (O.S.)
Yes! That's it. Lumina.
Andy is a little charmed by her naivety.
ANDY
What's it doing?
MARY (O.S.)
It's not doing anything. It won't
start.
ANDY
Does the engine try and start?
MARY (O.S.)
Yes, it tries and tries.
ANDY
Does it smell like gas in the car?
MARY (O.S.)
No, I don't think so.
ANDY
Okay. Where are you?
INT. RESTAURANT - MOMENTS LATER
Mary is on the phone.
MARY
I'm at the Clock restaurant.
ANDY (O.S.)
I'll be there in about ten minutes.
If it's what I think it is, it will
only take a few minutes to fix.
MARY
You will? Thank you. I really
appreciate it.
EXT. RESTAURANT - LATER
Mary is waiting outside. A tow truck pulls in and slowly
drives around the parking lot.
Mary realizes that he's looking for a green Lumina. She walks
over to the truck. Andy rolls down the window.
ANDY
You have the green Lumina?
MARY
Yes, my car is next door.
EXT. EMERYS MARKET REAR PARKING LOT - MOMENTS LATER
The hood of her car is up and Andy is under there working on
it. Mary sits behind the wheel.
MARY
Is this going to cost very much?
ANDY
I don't know yet. If it's what I
think it is, it will cost you about
four dollars plus labor.
MARY
Really?
ANDY
Yes, but if you ask too many
questions, I'll have to charge you
more.
He looks at Mary who immediately presses her lips closed
tightly.
ANDY (cont'd)
I'm just kidding.
Mary breathes a sigh of relief.
ANDY (cont'd)
So were you doing some shopping?
SAMANTHA
I work there.
She points to the store.
ANDY
You work here, huh? I think half
the people in this town have worked
here at one time or another.
He comes up from under the hood.
ANDY (cont'd)
Try it now.
Mary turns the key. The engine cranks a couple times then
roars to life. Mary is relieved.
MARY
You are a lifesaver.
ANDY
Hope you can still make your plans.
Mary forgot the lie she told.
MARY
I already cancelled them. I didn't
think I'd be able to make it.
Andy closes the hood and walks to her window.
ANDY
I'll be right back with the bill.
Mary waits in her car, dreading the bill. Andy walks back and
hands her the bill. She looks at the bill and then back at
him.
MARY
Ten dollars?
She can't believe it.
ANDY
Too much?
MARY
No, I guess I was expecting more.
Andy is genuine and honest.
ANDY
The filter was four dollars and
labor was six dollars. I was only
here ten minutes.
She still can't believe it.
ANDY (CONT'D) (cont'd)
If you don't have it, you can drop
it off tomorrow. The address is on
the bill.
MARY
Can I at least buy you a beer?
Andy smiles at her.
ANDY
I would but I don't think my
girlfriend would appreciate that,
but thanks.
She's not sure how to handle this rejection.
MARY
Well than I'll buy you one and
drink it myself. Where's the best
place to go?
Andy thinks a minute.
ANDY
Like country music?
MARY
I don't dislike it, but I prefer
something with a beat.
ANDY
Wiltses is about the best if you
don't like country places. They
actually have music that wasn't
recorded in the 50's. I think they
have a band tonight.
MARY
Thanks. I'll have to check it out.
You're sure it will be okay to pay
you tomorrow?
ANDY
Yes, I'm sure.
MARY
Your boss won't mind?
Andy laughs a little laugh.
ANDY
No, he won't mind at all.
She notices the patches on his shirt. One says B&A Service.
The other says Andy.
MARY
You're the "A" in B&A?
ANDY
The "B" is Bob. My dad.
MARY
So I'm getting the "Know the Owner"
discount?
ANDY
I guess you're getting the "Meet
the Owner" discount. I'm Andy
Macaulay.
He extends a hand. Mary reaches to shake it.
MARY
I'm S..
Shit. She can't use that name but quickly fakes a cough.
MARY (cont'd)
Nice to meet you. Mary Donner.
ANDY
Well Mary, I have to go back and
close up the shop. If you're going
to be in town for a while, I'm sure
we will run into each other.
MARY
Tomorrow.
Andy is confused.
ANDY
What's tomorrow?
MARY
I'm coming by to pay my debt. I
always pay when I owe.
ANDY
Well I guess I'll see you then.
Enjoy that beer for me.
MARY
I will. Thanks.
Andy slowly walks to his tow truck. Mary watches his ass in
her side view mirror.
MARY (cont'd)
(softly to herself)
Nice buns.
INT. MARYS APARTMENT BATHROOM - EVENING
Mary is getting ready for a night out.
- Fixing her makeup in the cramped bathroom. The light isn't
very good.
- Looking through her closet for something appropriate for
going out to the bar.
- Looking in the mirror. She is wearing jeans that cost more
than a week's wages in these parts, a silk shirt and $600
high heels. Way too dressed up for this town.
EXT. WILTSES BAR -EVENING
From the outside the bar appears to be nothing special. The
vehicles parked in the gravel parking lot outside are mainly
trucks. She looks around the parking lot and the neon signs
advertising various beers.
MARY
(psyching herself up)
Fit in. You can do it.
She looks down at her outfit. She's going to stand out. She
walks toward the door, stumbling in her high heels on the
gravel.
INT. WILTSES - MOMENTS LATER
The front door opens and Mary walks inside. An old wooden
bar, covered with thousands of cigarette burns, sits on the
far wall. The bar is about half full. The men mostly wear
hats, Levis and tee shirts advertising their favorite beer,
sports team or anatomy part. Some women wear tight jeans and
belly shirts. Even the ones who shouldn't. Mary walks over to
an empty seat at the bar. She sits down. The bartender, Rod,
walks over. He's a pleasant looking man of 50, a little
overweight.
ROD
Hi, what can I get you?
MARY
I'll have a Grey Goose
Cosmopolitan.
ROD
Sorry, nice choice but we don't
have Grey Goose. Not much call for
it here. I can make one with
Smirnoff or Popov vodkas.
Mary frowns.
MARY
Too much to ask for a nice glass of
Merlot?
Rod smiles.
ROD
Not much of a wine list I'm afraid.
Just red or white wine.
MARY
I'll have a glass of the red.
Rod leans in close to Mary.
ROD
I really don't suggest it. The box
has been around a while.
MARY
It's red wine, how bad can it be?
Rod shrugs and goes to get her a glass. Mary turns to look
around the bar. Half of the bar is looking at her. Some turn
away when she sees them. Rod returns with her wine.
ROD
That will be two seventy-five.
Mary hands him a twenty. He leaves to get her the change. She
has a sip and about chokes on it. It tastes like a $2.75
glass of wine would taste. Rod returns with her change and
sees her face.
ROD (cont'd)
I told you.
MARY
Guess I'm not really in a wine mood
tonight.
ROD
How about a nice cold beer?
MARY
Sure.
He leaves to get her beer.
INT. FRONT DOOR
The front door opens and Karen and Deanna walk in the door.
Men and women greet them by name as they walk through the
bar. They walk to a table on the other side of the bar from
Mary, near the stage.
INT. BAR
Rod comes back to Mary.
ROD
Doing okay?
MARY
Yes, thanks. The beer is tasting
pretty good tonight.
ROD
You'll fit in better drinking the
beer. Not many locals drinking
Cosmopolitans or wine.
MARY
I look more local with a beer?
ROD
Yes, but those clothes still give
you away.
She looks around at the girls in the bar. He's right.
MARY
Where would I go shopping for
clothes?
ROD
There is a mall in Bay City. It's
about 30 miles west of here.
She needs to go shopping for clothes. No need bringing
unneeded attention to herself.
MARY
Thank you very much.
ROD
No problem. How long until the
trial anyway?
She laughs. Word gets around fast.
MARY
Not sure when. I'm glad they could
keep a secret.
ROD
Small town. Word travels fast.
Mary.
He already knows her name.
MARY
I see. Can you keep a secret...?
She's waiting for his name.
ROD
Rod.
Rod moves close.
ROD (cont'd)
Is this new secret that you were
bullshitting them?
MARY
Yes. Rod.
They both smile.
ROD
That was pretty good, they bought
it all. You should be an actress.
With that, he walks away to pour more beers.
INT. WILTSES BATHROOM - LATER
Karen and Deanna enter the bathroom. They are reapplying
their makeup.
KAREN
Did I tell you? I might go to the
new store in Bay City? I'll get out
of here, finally.
DEANNA
What about Andy?
KAREN
You think I'm going to marry him? I
need a man with ambition. He left
his ambition in New York.
DEANNA
He's got a good job. His own
business. What's wrong with that?
KAREN
Nothing if you want to stay here
and spend every day, every week
doing the same thing.
DEANNA
You make it sound like things are
bad here.
KAREN
It is bad. It's boring and
monotonous. It's Friday night and
here we are, in this shitty bar
drinking beer with the same idiots
we went to high school with.
Deanna frowns.
DEANNA
I like beer and this bar.
KAREN
Wouldn't you like to be in a classy
place drinking classy drinks with
good looking men who have good
jobs.
This does have some appeal to Deanna.
DEANNA
I guess.
But she's still not convinced.
DEANNA (cont'd)
Did you tell anyone about that girl
today at Emerys?
KAREN
No. Did you?
A lie
DEANNA
No, me either.
Another lie. They finish and leave the bathroom. As soon as
the door closes Mary opens a stall door. She heard everything
they said.
INT. WILTSES BAR - MOMENTS LATER
Walking back to her seat she sees Andy sitting with Karen.
Dressed in regular clothes he looks pretty good to her.
He waves to her. Karen sees him wave and gives him a dirty
look. She sits and finishes her beer. Rod appears.
ROD
Another beer, Mary?
MARY
Yes, I would.
Rod goes turns around to get one from the cooler and returns
in an instant.
ROD
It's on the house. New customer
discount.
Mary is impressed.
MARY
This town treats it's visitors very
well.
ROD
You know Andy?
MARY
A little. He fixed my car today.
ROD
He's a good guy. Know his
girlfriend?
MARY
She's one of the one's I lied to.
ROD
Figures. She's got the biggest
mouth in the town.
She looks over at her and Andy who is sitting there bored
while Karen flirts with another guy.
MARY
What does he see in her? He seems
like a nice guy.
ROD
He is. That's the problem.
INT. SMALL HOLLYWOOD APARTMENT - NIGHT
Jonny is sitting in his barren apartment, looking under couch
cushions, counting out change so he can go out. He is broke.
Magazines sit cluttered on a table.
An idea pops into his nearly empty head. He flips through one
of the tabloids, finds what he's looking for and picks up the
phone to dial.
JONNY
Do you pay cash for pictures?
He smiles at the answer.
INT. WILTSES BAR - LATER
The band is playing bad 70's rock tunes and the place is
rocking. Mary is still there drinking beer. She's watching
the band and swaying to the music. A tap on her shoulder from
behind. She turns and it's Andy.
MARY
Hey, my hero. Going to let me buy
you that beer now?
He holds up a full beer.
ANDY
Not now, maybe later.
Mary's a little bummed out. Shes not use to being turned down
for anything.
MARY
You have something against a woman
buying you a beer?
He does.
ANDY
No, but I have a full one right
now.
MARY
Does your girlfriend know you're
over here talking to me?
He looks over at Karen who is busy talking with the guys in
the band.
ANDY
I doubt if she knows I've left the
table.
MARY
She seems...
(pause)
nice.
ANDY
We've been together on and off
since high school.
SAMANTHA
Long time.
Andy shrugs.
ANDY
So you didn't tell me that you are
hiding out here in our little town.
Pretty exciting.
Mary fakes surprise.
MARY
Who said I'm hiding?
ANDY
Word travels fast. Especially since
you told the biggest gossips in
town.
Mary smiles at him.
MARY
And they still believe it?
ANDY
I don't know. Lots of people have
made fun of them for believing it.
They are kinda pissed about it.
MARY
So what do you think?
ANDY
I think it's kind of funny. I can
imagine what she said in Emery's
today. If she wasn't my girlfriend,
I'd say she probably deserved it.
MARY
So you're not mad?
ANDY
At what?
MARY
My being a smartass.
ANDY
Not really, but...
Andy is interrupted by a tap on the shoulder. It's Karen.
She's not happy.
ANDY (cont'd)
Hey Karen. You've met Mary, right?
Karen coldly stares at Mary, looking over her outfit.
KAREN
Well, if it isn't the mafia
princess. Seen any good murders
lately?
Mary laughs at this. Andy's going to avoid this confrontation
at all costs.
ANDY
Please excuse me ladies. Bathroom.
Andy walks off to the bathroom.
MARY
I'm sorry. An overactive
imagination, I guess.
Karen hates her. Silence. Karen has to say something to save
face. Anything...
KAREN
Speaking of overactive imagination,
where did you get those ugly shoes?
Payless? And that shirt. I'm sure I
saw it on the discount rack at
Walmart.
Mary looks down at her $720 Casadei shoes, $480 Fendi Jeans,
and her $430 Moschino Patchwork T-Shirt. Should she tell her?
Yep.
MARY
These are Casadei shoes.
Karen looks at her. So? Like that name means anything to her.
KAREN
Like that's a real designer.
She's never heard of Casadei.
KAREN (cont'd)
So what were you and my boyfriend
talking about anyway?
MARY
Nothing much. My job. Caro.
KAREN
There's not much to talk about. The
town sucks and the Emery's are
fossils. I think they founded the
city.
Karen turn and leans on the bar looking at the towns people
having fun.
MARY
The Emery's are sweet. And I like
this town. It's comfortable.
KAREN
Yea, comfortable like an old,
smelly slipper. Please. This place
is so damn boring. If you like it
here, you obviously haven't been
many places.
Not many except Paris, Rome, Cannes...
KAREN (CONT'D) (cont'd)
I need to get back to my table. My
friends are waiting.
Before Mary can say a thing, Karen has left.
MARY
Good-bye Sweetie.
She smiles sweetly. Rod returns to Mary.
ROD
Casadei shoes. You aren't from
Ohio. You have some secrets, Mary.
Rod know his shoes and may have a few secrets of his own.
INT. LAUNDRY MAT - NIGHT
Mary walks into a laundromat carrying two paper grocery bags
of dirty laundry. She looks around, unsure if what to do. The
attendant, an older man, merely looks up from watching a
baseball game and nods. She walks over to an empty machine
and reads the directions on the lid. She puts her quarters in
the slots and starts the washer. An older woman sitting near
smiles at her. Mary dumps one bag of clothes in the washer
and closes the lid.
OLDER WOMAN
Aren't you going to use soap, dear?
You need soap.
Mary forgot soap.
MARY
I can't believe I forgot it.
OLDER WOMAN
They have some over there in the
dispenser.
Mary walks to the dispenser and inserts more quarters. Out
pops a small bag of detergent that is good for four loads of
clothing. Mary goes over to the washer and dumps the entire
opened bag into the washer. The old woman shakes her head in
disgust. Mary sits in a chair and picks up a magazine.
1) Slowly bubbles start to emerge from the washing machine.
2) Mary still reading.
3) The old woman looking at the washing machine, eyes wide
open.
4) Back to the washer, more bubbles emerging.
5) Mary reading, oblivious.
6) Old woman. Still watching.
7) Washer, where bubbles are now overflowing on the ground.
The older woman slowly gets up and starts walking over to
tell Mary. The camera focuses on her feet, treading slowly on
the soapy wet floor. Then it happens. She loses her footing
and crashes to the floor in a painful thud.
EXT. LAUNDRY MAT - LATER
Two EMT's are loading the old woman in the back of an
ambulance. Mary is crying while the attendant is attempting
to comfort her. He puts his arm around her.
ATTENDANT
Don't worry, lots of women her age
break their hips every day.
With this Mary cries even harder.
INT. EMERYS MARKET - DAY
Mary is working the register. Myna is stocking the shelves.
George comes out of the office.
GEORGE
Mom, I'm not feeling well right
now. Think you can take me home?
Myna comes to him.
MYNA
Do you need to see Dr. Wolcott?
GEORGE
No, I just want to go home and
rest.
MYNA
(to George)
You're going to see Dr. Wolcott.
(to Mary)
Will you be okay here?
MARY
Yes, I'll be fine
GEORGE
We hardly have customers anymore.
Of course she'll be fine.
He gives her a wink.
MYNA
Okay, Dad, come on, let's go.
GEORGE
Old age is hard, Mary. I wouldn't
recommend it.
MARY
What's the alternative?
She smiles at him.
INT. JILLS HOLLYWOOD HOME - EVENING
In a beautifully furnished living room, Jill is in a robe
reading a tabloid. She gets an idea. She picks up a cell
phone and dials a number.
JILL
Hello? I have a story that I think
you would like...
Just then, she looks up as Jonny, also in a robe comes into
the living room.
JONNY
Do you have any bottled water?
She shushes him and returns to her call.
JILL
I have information about Samantha
Ashley...
INT. MARYS APARTMENT - EVENING
She's trying to iron some clothes. Entertainment Tonight is
running a story on her. The television plays.
ON TV
We see clips of Samantha in various movie parts, at premiers,
etc.
HOST (V.O.)
Samantha is rumored to be staying
in an undisclosed drug rehab
center. Calls to her
representatives have not been
returned.
MARY
Dammit!
She doesn't notice that the iron is too hot. She lifts it
with the clothing stuck to the iron.
Shit. That's a $300 shirt ruined. She hears the Emery's car
pull into the driveway. She runs down to see them.
EXT. EMERYS DRIVEWAY - MOMENTS LATER
A concerned Mary goes to the passenger door to help with
George.
MARY
(to Myna)
Is he okay?
(to George)
Are you okay?
MYNA
He's comfortable now. We have more
tests in Saginaw.
They are now out of the car and walking to the house.
GEORGE
I'll be fine. I just need some
rest.
INT. EMERYS LIVING ROOM
They get him in his easy chair in the living room. He is in
obviously in some pain.
MARY
Can I do anything to help?
MYNA
No, dear. We are okay now. He feels
better here at home.
MARY
Shouldn't he be in the hospital if
he's in that much pain?
GEORGE
Nonsense, I'll be fine in a few
days.
INT. MARYS APARTMENT - NIGHT
Mary is in bed, tossing and turning. She can't sleep. She
looks at the clock. It's 1:00 am.
EXT. MARYS APARTMENT - MOMENTS LATER
Mary walks out of her apartment into the darkness. The sounds
of a country night greet her. Crickets chirp. Frogs serenade.
A moon so bright it creates shadows.
Mary starts walking down the road.
EXT. MAIN STREET OF CARO - MOMENTS LATER
Mary is walking down the empty main street of Caro. She looks
in the windows of the stores. The clean streets. A light
breeze blows a newspaper toward her. Instinctively, she
reaches down to pick up the offending paper and throws it in
a garbage can.
INT. EMERYS MARKET - DAY
A delivery man is unpacking and stocking the magazine shelves
as Mary stocks some shelves. The delivery man finishes and
brings her the bill to sign.
DELIVERY MAN
Here, you go. Just sign on the
bottom line please.
Mary signs.
DELIVERY MAN (cont'd)
Thanks. Have a great day.
The delivery man leaves and Mary goes to the register. Two
older ladies enter the store for a little shopping. They stop
at the magazines and pick a few out, chatting along the way.
They smile as they pass Mary, but never stop chatting. Mary
can hear a little their conversation.
OLDER WOMAN #1
It's such a shame that they have
all the fame and money, and they
still aren't happy.
OLDER WOMAN #2
They are just spoiled. That's all.
They don't appreciate anything.
As they set their items on the counter Mary sees it. The
camera focuses in on the new National Enquirer featuring a
drunken Samantha Ashley on the cover with the caption reading
"Young Star in Rehab." Mary is in shock.
EXT. EMERYS MARKET REAR PARKING LOT
Mary is pacing in the parking lot talking to her agent,
tabloid in her hand.
MARY
I can't believe it. This is such
bullshit. Can I sue?
KYLE (O.S.)
Yes, but what good is that going to
do? They covered all their bases.
They said allegedly. That's why
they pay millions a year for a
crack legal team.
MARY
Where would they get that story
from? I don't even use drugs.
INT. AGENTS OFFICE - DAY
Kyle is sitting at his huge desk, thumbing through the new
tabloid.
KYLE
You didn't see the other picture?
MARY (O.S.)
No...
She's now worried that they may have found out that where she
is and she will lose the role.
KYLE
Turn to page fifty-nine.
EXT. EMERYS MARKET REAR PARKING LOT - DAY
Mary flips to page fifty-nine. She sees the picture. It's a
picture of Jonny and Jill together in bed. Mary pissed.
MARY
I want her cell number.
KYLE (O.S.)
Whose?
MARY
You know whose number I want. The
bitch who fed them that story.
KYLE (O.S.)
You don't want to do that. Just let
it be. We don't even know it's her.
MARY
Yes, we do know.
KYLE (O.S.)
You didn't get her number from me.
555-1276.
The store rear door opens. Myna looks out.
MARY
(To Kyle)
I'll call you soon.
She hangs up the phone.
MYNA
Are you alright, dear?
Mary wipes a tear away.
MARY
I'll be okay.
MYNA
You can tell us. We are family now.
Whatever it is.
Mary is touched by her kindness. She looks up with a crooked
smile.
INT. WILTSES BAR - EVENING
Mary is sitting at the bar finishing her fourth beer. She's
tipsey. Rod comes over.
MARY
I need another beer.
Rod looks at her, then behind her. Andy comes up to the bar
and sits next to her. He smiles at her.
MARY (cont'd)
Well, it's my hero again.
ANDY
I think I'll take that beer now. If
the offer still stands.
Mary smiles back at him.
INT. WILTSES BAR - EVENING
Andy and Mary are at a table now talking, him with a beer,
her with water.
MARY
So the Emery's have known you your
whole life?
ANDY
They've known everyone here their
whole lives. They've always been
here. Like the big church.
MARY
They told me they use to have a big
farm.
ANDY
Yep, I heard it was the largest in
the county in the 40's and 50's.
Just about everyone here worked for
them one time or another.
MARY
At the store?
ANDY
At the store, at the farm. Times
got tough, they would hire people
even if they didn't need the help
just so the people could pay the
mortgage and put food on the table.
Mary is amazed at their generosity.
ANDY (cont'd)
Up until a few years ago, they
would leave the store unlocked all
night, so if someone needed
something, they could get it.
She can't believe it.
MARY
And no one stole anything?
ANDY
Don't know. If they did, the
Emery's never said anything.
MARY
Where are their children?
ANDY
They never had any. Don't know why.
They always loved having kids
around. Think it was probably some
medical reason. Can't imagine
people like that not wanting
children to love.
Mary wants to cry. These wonderful people, full of love,
couldn't have children.
ANDY (cont'd)
They gave their love to the town.
Sounds kind of silly. You'll never
find better people. Anywhere.
MARY
I found that out.
ANDY
It's a shame that they are losing
so much business to that big place.
MARY
Where your girlfriend works?
Andy smiles.
ANDY
Yea, that place.
MARY
Can't even say the name of it?
ANDY
I can, I choose not to. I hate to
see capitalism encroaching on a
place like this. I know that the
company has its duty to share
holders, but at what cost. For a
community like this to survive, the
profits have to stay here. It will
ruin this place.
Mary is amazed at his grasp of the economy in small towns. He
is no ordinary mechanic.
MARY
I'm not sure what you said, but I'd
have to say I agree with you.
INT. MARYS APARTMENT - NIGHT
A drunk Mary is making a call on her cell phone.
INT. TRENDY CLUB IN LA - MOMENTS LATER
Jill is holding court with her posse and various hangers-on
and Jonny. Her phone rings. They all become silent, the queen
is about to use her phone. Jill answers.
JILL
Who's calling?
MARY (O.S.)
Hazleton Rehab. A place I know you
are familiar with.
Jill laughs and covers the phone mouthpiece.
JILL
(to everyone around her)
Please, I need to take this alone.
They all leave as ordered.
JILL (cont'd)
So, how's the working life?
INT. MARYS APARTMENT - EVENING
Mary looks around at her apartment.
MARY
It's great, I'm learning everything
I'm going to need for the role.
JILL (O.S.)
I saw the pay stub. I can't believe
you actually have a real job.
MARY
Only a matter of time before the
role is mine. By the way, how's
Jonny?
JILL (O.S.)
I'll admit to the rehab thing, but
I don't know where that picture
came from.
MARY
Sure you don't.
INT. TRENDY CLUB IN LA - NIGHT
Jill is in the booth on the phone.
JILL
(sweetly)
So where are you at anyway?
Someplace nice and warm?
MARY (O.S.)
Yes, a Caribbean island. I'm
teaching an acting class to the
locals.
JILL
Well that's a stretch. Imagine you
teaching acting. I guess those who
can't act teach.
MARY (O.S.)
And I thought it was those who
can't act, sleep with the director.
A furious Jill hangs up on her.
INT. EMERYS MARKET - DAY
Alone in the store, Mary is standing next to the cash
register reading the tabloid story about her. Karen walks
into the store and walks straight over to Mary.
KAREN
You can have him.
Mary is confused.
MARY
Who can I have?
KAREN
Andy. I know you and him were
together last night. You can have
him.
MARY
So he's yours to give?
KAREN
No, but I won't fight over him.
He's not worth it. He was born here
in this shitty town and he'll die
and be buried here.
Mary isn't taking any of her shit.
MARY
If you despise it here so much, why
haven't you left already?
KAREN
I am leaving. Soon.
MARY
I heard.
KAREN
What did you hear?
MARY
About that other job. What are you
getting maybe ten dollars an hour?
KAREN
Well that's more than you'll ever
make here.
Mary is pissed. She wants to tell her so bad.
MARY
And what's your problem with Andy?
He's a great guy.
KAREN
I need a man. Someone with
ambition, someone who's leaving
this town for good. Did you know
Andy went to Columbia and worked on
Wall Street?
That would explain the economic references.
KAREN (cont'd)
He left a six-figure job to come
back here and work in the family
business. Can you believe that?
She can't believe it.
MARY
Nothing wrong with coming back
home.
After all, Mary did.
KAREN
You know, you'll fit in here really
nice. You're boring and plain. Just
like this place.
MARY
You say that like it's a bad thing.
KAREN
Whatever. He's yours. Good luck
with the kids, church, the used
minivan and the PTA.
And just as quick, She's gone.
EXT. EMERYS MARKET REAR PARKING LOT - EVENING
After closing the store, Mary closes and locks the back door.
She turns and Andy is waiting in the tow truck. They trade
smiles. She walks up to the truck.
MARY
Did you come here expecting to make
more money off a poor single girl?
Andy laughs at her joke.
ANDY
Yes, as a matter of fact, I have
eight more stops after this.
MARY
You're girlfriend stopped by.
ANDY
Ex-girlfriend.
MARY
Funny, I got that impression too.
ANDY
I just wanted to make sure you were
okay. She can be rather abrasive at
times.
MARY
Nothing I couldn't handle.
ANDY
I like that about you. Where are
you going?
MARY
Home. A little dinner.
ANDY
Time for a beer first?
INT. WILTSES BAR - EVENING
Andy and Mary are sitting at a table, each with a beer. The
jukebox plays some old Bob Seger loudly. They are smiling and
talking. She is very at ease with him.
INT. EMERYS LIVING ROOM - LATER
A very happy Mary enters the living room and finds Myna
alone, looking through photo albums. She sits next to Myna.
MARY
Where is George?
Myna looks up.
MYNA
He's asleep in the bedroom.
MARY
How is he doing?
MYNA
Better. Just old.
MARY
Good.
Myna looks at the photo album again.
MYNA
He was so handsome. Went off the
next day to fight in the war.
Myna points out a picture of George in an Army uniform.
MARY
Did you know him before he left?
MYNA
One night. That's all. He took me
to a movie and held my hand. Was so
much of a gentleman, he didn't even
try and kiss me.
MARY
Men like that are hard to find.
MYNA
I didn't see him for over three
years. He wrote me letters every
week.
Myna reaches into a box next to her and pulls out a bundle of
envelopes and cards.
MYNA (cont'd)
I saved every one of them. Every
letter that came let me know he
made it through another week. Some
weren't so lucky. My brother was
one of them. He was killed in the
battle for Guadalcanal.
Mary doesn't know what to say. Myna senses her discomfort.
She pats her leg.
MYNA (cont'd)
That's alright, dear. What can you
say when someone says that?
MARY
I don't know. It must have been
hard for you.
MYNA
No. George was the one who lived
through the hard part. He never
told me in the letters what he went
through and I never ask.
MARY
You got married after he got home?
MYNA
Three days after. My parents were
against it, but sometimes you have
to do those things.
MARY
Why didn't they want you to marry
him?
MYNA
They thought he was just a poor
farmer from a little town. Didn't
think he would amount to much. I
didn't care. I was in love.
Mary thought they both were from here.
MARY
Where are you from?
MYNA
Detroit. My father was a lawyer
there. Lived in a big house. He
even knew Henry Ford. I'm a city
girl. Just like you.
Mary smiles at the thought.
MARY
What did you think when you first
got here?
MYNA
I didn't know what to think. I was
scared of animals, scared of
everything. Most of all, scared of
being without him.
EXT. SHOOTING RANGE - AFTERNOON
Andy is taking Mary out to the outdoor shooting range to
teach her to shoot a gun. They get to the gun lane.
MARY
This is not my idea of a great
first date. I want you to know
that.
ANDY
You will have fun.
MARY
No I won't.
Andy take a small revolver out of a case.
ANDY
The first thing is to check the
cylinders and make sure they are
empty. You push the lever forward
and the cylinder pops out.
He demonstrates this then tries to hand it to her. Mary is
unsure of even touching the pistol.
ANDY (cont'd)
Come on. It's not going to go off.
Just take it and hold it.
Mary takes the pistol from him. She's surprised at the heft.
She aims it downrange.
MARY
What is this? Forty-four magnum?
Colt forty-five?
ANDY
It's a twenty-two.
MARY
Oh.
She's disappointed. Andy takes the pistol from her and starts
putting .22 cartridges in the cylinders.
MARY (cont'd)
Are we going to shoot it?
ANDY
You are going to shoot it.
MARY
Is it going to hurt my hand?
Andy reaches into his range bag.
ANDY
No, it will hurt your ears if you
don't wear these.
He hands her hearing protection. She puts it on.
ANDY (cont'd)
Okay, see the target down there?
She can't hear anything. She just looks at him and smiles.
She looks so beautiful. Andy takes that time to kiss her,
which she returns. They break the kiss.
MARY
You're right. I am having fun.
EXT. OUTDOORS - DAY
Montage of Mary and Andy doing outdoor activities.
1) Walking in the woods.
2) Swimming in a quarry.
3) Fishing in a pond.
They are falling in love.
INT. MARYS APARTMENT - NIGHT
Andy and Mary are laying on her bed, fully clothed. Arms and
legs are entwined.
MARY
I'm so exhausted, I want to just
lay here in your arms all night. It
feels so good.
ANDY
It feels good holding you. I have a
question.
(pause)
Why are you here?
MARY
Please don't ask. It's nothing bad,
I just can't tell you right now.
(pause)
I have a question for you: Would
you ever leave here?
ANDY
I don't know. I guess maybe I
would. Can't say for sure. All I
know is that there is nowhere I
want to be right now than here
holding you.
MARY
You don't want to have this
conversation, do you?
ANDY
It's a little hard when I don't
really know where you came from, or
why you're here.
I like being with you more than
I've enjoyed being with anyone in a
long time. I want it to last, but I
don't think it will.
MARY
Why?
ANDY
Because you aren't staying. Nobody
stays. Everyone wants to leave.
MARY
You left.
ANDY
And I came back
MARY
Why did you come back?
ANDY
Values. People. The first week I
was in New York, a woman. A pretty
young woman swore at me for
accidentally bumping her. She said
the most vile things.
MARY
Welcome to New York. You stayed a
while there, didn't you?
ANDY
Stayed to finish school. Then to
pay for school. I really started
liking the money, the restaurants,
the sense of privilege the money
gave me.
MARY
Is money so bad?
ANDY
It wasn't that the money was so
bad, it was the whole atmosphere,
the attitude, which I was acquiring
at record speed. I came back here
one time and swore at a woman in a
car in front of me for driving too
slow. I used the same words as the
woman my first week in New York.
Then she pulled over and got out.
It was my Sunday School teacher.
A woman so kind and pure, I just
broke down and cried at what I had
become.
MARY
What did you do?
ANDY
They say people adapt to their
surroundings in order to survive.
That's just human nature. I decided
that didn't like the change. I
packed up and moved back the next
week. Never regretted it. Not one
bit.
Mary looks up and smiles, falling deeper in love.
INT. ANDYS PARENTS HOUSE - AFTERNOON
The door bell rings inside a beautiful farmhouse, surrounded
by fields and a large vegetable garden. Andy reaches the door
opens. Mary is standing there. Andy ushers her in. He is a
little dirty.
ANDY
Come in. Nervous?
MARY
Does it show?
Andy rubs her shoulders.
ANDY
Just a little. You'll be fine.
A lovely woman, JAN, comes into the room. She is Andy's
mother. She is in her 40's and in good shape.
ANDY (cont'd)
Mom, this is Mary. Mary, Jan
Macaulay.
They reach to shake hands.
MARY
Hi. Nice to meet you, Jan.
JAN
It's nice to meet you, Mary. Andy's
been a little secretive about you.
That's usually a good thing.
Mary looks at Andy.
MARY
He likes to keep quiet about his
many women?
Andy smiles shyly. Jan looks at him.
JAN
Just the ones he likes.
Mary smiles.
JAN (cont'd)
Like to show her around? See the
animals?
MARY
Animals?
ANDY
They have horses, cows, chickens,
goats. Missing anything these days
Mom?
JAN
Three cats and two dogs.
MARY
I think I'll pass on the nature
walk. Animals kind of scare me.
Andy pulls her arm
ANDY
Come on. You just need to see them
up close. Nothing to be scared of.
A mans voice comes from the kitchen.
BOB (O.C)
Except last year when that girl,
what's her name? The one who lost
her fingers to Glory Bell?
BOB MACAULAY, Andy's dad comes into the living room from the
kitchen. He's wearing a frilly apron.
ANDY
Mary, my dad, Bob Macaulay. Caro's
only transvestite comedian.
BOB
Usually takes a few weeks for
Andy's girlfriends to find that
out.
ANDY
My secret is out. I guess that's
our secret.
Mary laughs and shakes Bob's hand.
MARY
Nice to meet you.
BOB
Pleasure is all mine. I better get
to my pies.
EXT. BARN - DAY
Andy is gently pulling a reluctant Mary toward the small
animal barn.
MARY
I'm not going to get bit?
ANDY
No. Of course not. You've never
seen a horse up close?
MARY
Just a pony ride for my birthday
party when I was a kid.
ANDY
Did you complain as much that time?
MARY
Kicked and screamed the whole way
there. Still have the tape.
They get to the barn door. Mary scrunches up her nose.
MARY (cont'd)
It smells funny.
ANDY
What were you expecting?
MARY
I was expecting to stay in the
house.
A cow moos. Mary moves back a little bit.
ANDY
It's just a cow.
MARY
Yea, a mad cow.
Andy tugs her through the door.
INT BARN
They walk through the straw-covered barn to the first stall.
A small old horse greets Andy at the stall.
ANDY
Hey, girl.
He strokes her neck.
ANDY (cont'd)
Mary, this is Glory Bell.
She moves closer.
AND
You can touch her.
Mary moves her hand closer. Closer. Glory Bell lifts her head
up to sniff Mary's hand. Mary freaks out and turns to run but
trips and falls flat on her face. She lifts her dirty and
straw-covered face. Andy can't help but to laugh at her.
ANDY
Now you look like a farm girl.
EXT. GARDEN - DAY
Mary and Andy are picking vegetables in the garden. Mary is
standing in the carrots, confused.
MARY
How can you tell if the carrots are
done?
ANDY
Done what?
MARY
You know, done growing. Ready to
eat.
Andy laughs.
ANDY
They are done when you pick them.
Do you like baby carrots?
MARY
Yes.
ANDY
Then pick the ones with small tops.
Mary picks one out of the ground. It's a little carrot. She
frowns.
MARY
It's dirty.
INT. ANDYS PARENTS DINING ROOM - DAY
Andy, Mary, Jan and Bob are finishing up dinner. Jan gets up
and starts clearing the dishes. Mary and Andy rise to help.
BOB
(to Mary and Andy)
You two go relax. We can do these.
INT. ANDYS PARENTS LIVING ROOM - DAY
Mary and Andy walk into the living room. Mary is looking at a
wall that is covered with framed photographs. One is over Jan
and Bob. She looks at a picture of his parents in their
younger days.
MARY
How long have they been together?
ANDY
Since 1970. They met in junior
high.
Mary does the math.
MARY
Almost 35 years. Wow. They still
seem happy.
ANDY
They are. If they're not, they sure
hide it well.
MARY
What's their secret?
ANDY
I don't know. Besides love,
probably respect and the fact they
like each other.
She looks at pictures of Andy at various ages. Riding a
horse. Playing baseball. School graduations. She turns and
looks at Andy.
MARY
I'll bet your room is just like the
day you left it.
ANDY
You want to see?
MARY
Yes. I do.
Andy leads her to the stairway leading upstairs. They walk
up.
INT. ANDYS OLD ROOM - DAY
A typical young man's room. Detroit sport team posters line
the walls. Trophies line bookshelves. Mary and Andy enter the
room. Mary looks around at the trophies.
MARY
So you were a sports guy. Very
impressive.
Andy is embarrassed. Mary sits on the bed.
MARY (CONT'D) (cont'd)
So this is the shrine to the
perfect son?
ANDY
Hardly perfect. Average maybe.
MARY
I'll bet you never got in trouble
in your life.
ANDY
I have. Lots of times.
MARY
Tell me about one.
ANDY
(embarassed)
Okay. I stole something once.
MARY
You only stole once or only got
caught once?
ANDY
Yes to both. I was in Emerys and
needed hooks to go fishing. I
wanted pop, hooks and cigarettes
but only had the money for one or
the other.
MARY
Cigarettes? You seem like such a
good kid.
ANDY
You never smoked?
MARY
I'm an on and off smoker. Depends
on things. So go on.
ANDY
I couldn't steal cigarettes. They
kept them behind the counter, so I
stuck the pack of hooks down my
pants.
Mary laughs.
MARY
Weren't you afraid of getting
hooked?
Andy laughs an embarrassed laugh.
ANDY
At the time, it seemed like a good
idea.
MARY
But you got caught.
ANDY
I walked up the counter with my
Pepsi. Mr. Emery was standing
there. He ask if I need anything
else. I said my dad needed a pack
of Marlboro cigarettes. He rang up
the pop, the cigarettes and the
hooks in my pants.
MARY
He saw you.
ANDY
I don't know how. I gave him all
the money I had.
He counted it out and said I was a
little short, but I could pay him
next week.
MARY
Did you?
ANDY
The next day. I broke my piggy bank
and paid him. Nothing was ever
said, but I never stole anything
again.
MARY
You've been a good boy ever since.
ANDY
For the most part.
INT. EMERYS DINING ROOM - EVENING
Myna and Mary are sitting at the table looking at a cookbook.
They flip pages.
MYNA
What does he like to eat?
Mary has no idea what to cook.
MARY
I have no idea. Normal stuff I
would guess.
MYNA
Chicken, beef, lamb?
Mary shrugs.
MYNA (cont'd)
What do you want this dinner to say
to him?
MARY
Say to him? What do you mean?
MYNA
Do you want to say "I like you"? Or
do you want it to say "Thank you"
or something else?
MARY
Will the dinner saying "I love you"
scare him?
MYNA
Not if it's you mean it.
INT. EMERYS KITCHEN - LATER
Mary and Myna are cooking dinner. Mary is cooking noodles.
Myna is covering the meat strips with flour and spices.
MARY
What meat is in stroganoff?
MYNA
You can use anything.
MARY
What is that meat?
MYNA
Venison.
Mary is shocked.
MARY
You mean like deer?
MYNA
Exactly like deer.
MARY
I can't eat Bambi.
MYNA
Honey, Bambi was a cartoon.
MARY
I know. But they are so cute. I
can't imagine eating one.
Myna drops the meat in the hot oil.
MYNA
You eat cow don't you? There's not
much of a difference.
MARY
Yes there is. Cows aren't cute and
they are there for us to eat. And
I'm not sure I like that either.
MYNA
Cows, lambs, chickens. They all
have to die for us to eat. Same
with deer.
MARY
Where did you get it?
MYNA
Out back last fall.
Mary doesn't quite get it. Then slowly it comes to her.
MARY
You killed this deer?
Myna turns the meat in the hot oil.
MYNA
Yep. I think that was a six
pointer.
Mary can't believe that this fragile little woman actually
shot a deer.
MARY
You shot it?
MYNA
Of course.
MARY
How could you do that?
MYNA
It's not hard. I have a scope.
MARY
I mean how could you shoot a
defenseless animal?
MYNA
Just something I've done since I've
been here. Some lean years, it was
the only meat we had to eat.
Mary still isn't convinced. Myna takes a piece out of the oil
and cuts a little piece off. She takes the fork and stabs the
meat.
MYNA (cont'd)
Open.
Mary opens her mouth as Myna puts the meat in. Mary isn't
expecting to like it. She chews. It's delicious.
MARY
It's wonderful.
MYNA
Of course. Much better that the
beef steaks that are full of the
garbage that they give them to
grow. This is nature. This is life.
INT. EMERYS MARKET - DAY
Mary is at the register, bored. She walks into the back where
Myna and George are talking in the office. Mary stops and
listens.
GEORGE (O.C.)
The house was mortgaged to keep the
business open. We just can't afford
to do it.
MYNA (O.C.)
You're a veteran. Why won't they
pay for it?
GEORGE (O.C.)
It's experimental. They won't pay
for anything unless it's proven.
MYNA (O.C.)
We have to do something, anything.
George it's cancer. We have to do
something.
Mary hears all of this.
INT. EMERYS MARKET - BACK ROOM
The Emerys are sitting down talking.
GEORGE
I will be fine. We will do what the
insurance covers. That's all we can
do.
MYNA
The other treatment has worked
better for men. We need to get you
that. Maybe we can find a buyer
soon.
GEORGE
The business isn't worth anything
now. It's been six months. No body
even asking about it. Not even
worth the stock. The treatments
will cost well over a hundred
thousand dollars.
MYNA
Can't borrow from the bank?
GEORGE
Look at us. They won't give us
anything.
MYNA
What can we do?
GEORGE (O.C.)
Enjoy the time we have.
INT. EMERYS MARKET
A tear rolls down Mary's cheek.
INT. MARYS APARTMENT - EVENING
Mary is sitting in her apartment reading a script. A knock on
the door. She hides the script under the couch cushion and
goes over to the door. She opens the door. Andy is standing
there with a pizza, a six pack and two movies.
ANDY
Your order ma'am.
MARY
Extra mushrooms?
ANDY
As requested.
He walks in and sets the pizza and the videos on the table
then walks to the refrigerator to put the beer in there.
ANDY (cont'd)
What about my tip?
Mary comes over and gives him a big kiss.
ANDY (cont'd)
Do you tip all your delivery men
that way?
MARY
Just the cute ones.
Mary walks over and picks up the videos. The first is the
movie she was nominated for. Andy sees her looking at it.
ANDY
It's suppose to be good. The girl
at the video store recommended it
Mary shakes her head. She can't let him see her in it.
MARY
I tried to watch it before. It's
very boring.
ANDY
It just came out.
MARY
I saw it at the movies. I walked
out.
Andy shrugs.
ANDY
Whatever you want. Hungry?
MARY
Starved.
INT. MARYS APARTMENT - LATER
Mary and Andy are sitting on the couch eating pizza, watching
the other movie. The side of Andy's plate is covered with
mushrooms. Mary notices.
MARY
You don't like mushrooms.
ANDY
Not really.
MARY
Why didn't you say anything?
ANDY
You like them.
MARY
But I didn't need them if you
didn't like them. You're too nice.
She playfully punches him in the arm.
ANDY
You say that like it's a bad thing.
He pushes her playfully.
MARY
Well, sometimes it can be.
She throws a mushroom at his face.
ANDY
That wasn't nice.
He throws one back and the food fight is on. Andy is chasing
and throwing pizza and beer on Mary. She stops and lets him
catch her. They fall down on the ground in a deep kiss. After
the kiss, Andy has a terrible look on his face.
ANDY (cont'd)
EWWWW!!! Mushroom breath.
MARY
So don't kiss me.
He kisses her again.
ANDY
I guess I'll put up with it.
They lay there messy and happy. In the distance a siren is
heard. It gets closer. Closer. They sit up. The ambulance is
close. Then it stops. Doors slam. Andy and Mary race to the
door.
EXT. EMERYS DRIVEWAY - EVENING
An ambulance it sitting in the driveway. The EMT's wheel an
awake and protesting George out of the house, Myna, Mary and
Andy close behind.
GEORGE
I'm alright. I just slipped.
MYNA
You passed out. You are going to go
to the hospital.
EMT #1
Please sir.
They load him into the back of the ambulance. Myna is helped
in. Mary and Andy watch the ambulance pull away.
INT. HOSPITAL ROOM - LATER
Myna is in a hospital room with George. He is asleep. Mary
enters the room slowly. She walks over to Myna and puts a
hand on Myna's shoulder. Myna looks up.
MYNA
You should go home. He's
comfortable now.
MARY
You should come with us. You need
some sleep.
MYNA
I'll be fine here. Just take care
of things at the store. We will be
fine.
MARY
Is he getting what he needs to get
better?
MYNA
They are doing everything they can
here.
Mary knows that they are other things that can be done.
MARY
There are places that specialize.
Myna looks at her.
MARY (cont'd)
I heard you talking. I didn't mean
to eavesdrop, it just happened.
MYNA
We didn't want anybody to know.
George is a proud man. He doesn't
like people fawning over him. He's
just that way.
MARY
Nobody has to know. There are
places just for people with cancer.
MYNA
We can't do that.
MARY
So he's...you're going to just give
up?
A nurse comes in to take his vital statistics. She smiles at
Myna.
MYNA
It's not that easy. There are a lot
of things to consider. We can't
just close the store and leave for
however long it takes. People
depend on us.
MARY
(pleading)
But it's his life.
MYNA
Even if we went to one of those
places, they said the treatments
could make it happen even sooner.
MARY
Isn't it worth a try?
MYNA
Sometimes it's better to leave with
your dignity.
Myna is quiet. She looks up with quiet resignation.
MYNA (cont'd)
We're old, dear.
She grasps Georges hand and squeezes.
INT. HOSPITAL DINING ROOM - LATER
Andy and Mary are having coffee at the cafeteria.
MARY
They aren't even going to try.
There are procedures they can do.
ANDY
He doesn't want them, what can
anyone do?
MARY
But I heard them talking. They
would if they had the money.
ANDY
We could have a fund raiser. I'm
sure we could make a few thousand
dollars. The people there love
them.
MARY
That's not enough. They need more.
That's just for the treatment.
ANDY
How do you know so much?
MARY
(embarrassed)
I overheard them talking.
ANDY
Do they know you know?
MARY
Sort of. Some of it.
Mary is quiet, deep in thought.
ANDY
What are you thinking?
Mary lights up, knowing what she's got to do.
INT. MARYS APARTMENT - LATER
Mary and Andy walk through her apartment door. Mary has to
tell him but how? She's upset. Andy holds her and helps her
to the couch.
ANDY
He's going to be fine.
Mary looks at him with a seriousness he hasn't seen from her.
MARY
No. He's going to die without
treatment.
ANDY
It's hard to take, but everyone
dies. It's his time.
MARY
He's going to get the treatment.
ANDY
You said they don't have the money
to pay for it. How is that going to
happen?
MARY
I have it.
ANDY
You have what?
MARY
The money. I can pay for it.
ANDY
You do?
MARY
Yes.
ANDY
You have that kind of money? How?
Mary takes a deep breath.
MARY
I'm not who you think I am.
ANDY
I don't know much about who you are
at all. What are you about to tell
me? Am I going to like this?
MARY
I don't know. But I need you to
know, I never really lied to you.
Andy is getting worried.
ANDY
Please don't tell me you use to be
a guy?
At least he's still got his sense of humor.
MARY
No, I'm all real.
Mary picks up the video of her movie, Lakeside Park. She puts
it in the VCR and picks up the remote. Fast forward then
Play. A scene with her character, Tina talking to a park
worker.
ON TV SCREEN
MARY (cont'd)
(as Tina)
I know you saw him. Why are you
protecting him?
Mary mutes the sound while reciting the dialogue
MARY (cont'd)
(as the park worker)
You don't know shit, lady.
(as Tina)
I know enough to get you thrown in
jail for at least a year.
(as the park worker)
So you some badass cop, goin' put
me away? I can do a year standin'
on my head.
(as Tina)
I think the homies are gonna want
you bent over.
Mary turns the tape off. Andy looks at her, having made the
connection. He's not happy.
ANDY
You're her? That Samantha girl?
MARY
It's my stage name. Mary's my real
name.
ANDY
Why? Why are you here doing this?
She's upset. He's upset.
MARY
It's role research. Sort of. I had
to come here.
ANDY
Why?
MARY
It's kind of hard to explain.I had
to go someplace and live for three
months without any money and
without anyone finding out who I
am. If I did, I got the role.
ANDY
So we are all being used so you can
look believable in a movie?
MARY
No, no.
Andy is confused and a bit angry.
ANDY
Now I found out.
MARY
I was going to tell you.
ANDY
When? After I fell in love with you
and got my heart broken?
MARY
I don't know when. But I was.
ANDY
So why did you tell me?
MARY
Because I'm losing the bet. I don't
care about losing the part so I can
pay for the treatment for George.
Andy doesn't seem any happier.
MARY (cont'd)
Don't I get any credit for doing
the right thing?
Andy stands up.
ANDY
The right thing would have been to
be truthful. With me and everyone.
MARY
(pleading)
But I couldn't. But now I have to.
I need to do what I can to help
them.
ANDY
How do you know they will take it?
MARY
I don't.
Andy turns to leave. He opens the door.
MARY (cont'd)
Can you do me one favor. Wait a day
before you tell anyone. I'd like to
tell the Emerys my own way.
And he turns and walks out without another word.
INT. MARYS APARTMENT - LATER
Mary is on her cell phone talking to her agent, Kyle.
MARY
Kyle. It's over. I'm quitting.
KYLE (O.S.)
You're what?
MARY
I need to help them.
INT. KYLES OFFICE - NIGHT
Kyle is sitting at his desk.
KYLE
Help who?
MARY (O.S.)
The Emerys. He's sick. George.
KYLE
So take him to a hospital. What's
that got to do with you?
INT. MARYS APARTMENT - NIGHT
Mary is sitting on her bed.
MARY
He needs some things that his
insurance won't cover. I'm going to
tell them who I am and pay for the
treatments.
KYLE (O.S.)
Great publicity potential.
MARY
No, I don't want anybody to know.
KYLE (O.S.)
I'm sorry about the part. You would
have been perfect.
MARY
I'm not sorry, but don't tell
anyone yet. Can you Fed Ex me my
checkbook?
KYLE (O.S.)
It will be there tomorrow. Are you
sure you want to do this?
MARY
Yep. Positive.
INT. HOSPITAL ROOM - MORNING
Mary walks into Georges hospital room. Myna is sitting there
holding Georges hand. He is awake but in some pain.
MARY
How's the patient today?
MYNA
Feeling much better.
GEORGE
Why aren't you at the store.
MARY
I wanted to talk to you about that.
I want to buy the business.
Myna and George look at each other.
GEORGE
Well that's very ambitious of you,
but it's not worth anything.
MARY
It's worth everything to me.
MYNA
How can you afford it, dear?
Mary pulls out her checkbook.
MARY
I'm going to write you a check.
They are charmed by her little act.
MARY (CONT'D) (cont'd)
Will two hundred thousand be
enough?
They think she's crazy.
GEORGE
Are you alright?
MARY
Of course. I'm fine.
Mary starts filling out the check.
MYNA
You can't write a check for that
amount. We know how much you make.
MARY
Oh, I have money. I'm really an
actress. In Hollywood.
They are confused.
MARY (cont'd)
I make movies.
They are worried about her mental health.
MYNA
Honey, should we call someone?
Mary looks up at them. They look a little scared.
MARY
I'm not crazy. Not at all. But I
want to do this.
GEORGE
Do what?
MARY
Buy your store. I'm an actress. I
was here researching a movie.
They still think she's nuts.
MARY (cont'd)
Really. I am.
She pulls the National Enquirer out of her purse. She holds
it up to show them.
MARY (cont'd)
This is me. The one in rehab
because of drugs. Only I'm not
there, I'm here and I'm not on
drugs.
George studies the tabloid.
GEORGE
My God. She's a drug dealer. We
don't want your dirty drug money,
missy.
Mary smiles.
MARY
They wrote this because they didn't
know where I was.
It's just part of their business.
To sell copies so they write these
vile lies.
MYNA
They would do that?
MARY
Because they do. They want more.
More cars. More houses. More
everything.
MYNA
There is a lot to go around.
MARY
I know. I want to share mine. I
want to help you. Will you let me?
Myna looks at George.
GEORGE
We can't take your money. You
earned it. You'll need it someday.
Mary was expecting resistance.
MARY
Okay, then I have a business
proposition for you.
She smiles at them.
EXT. HOLLYWOOD PREMIER PARTY - NIGHT
Jill walks out in front of the bright lights to talk with the
entertainment show hosts.
HOST
Jill, word has just come out that
you are going to star as Dana in
the highly anticipated Heights of
Despair.
JILL
Dana is a complex character that
I'm very excited to play. I've been
wanting to work with Winston for
years.
HOST
Samantha Ashley is slated to co
star with you as Dana's sister and
rival Melissa. A bit of ironic
casting.
JILL
I haven't heard who is going to
play Melissa. I'm hoping to give a
newcomer the role and make a career
builder out of this role.
She doesn't want Samantha to get the role.
HOST
What do you think of the apparently
false rumors that Samantha was in
rehab?
Jill shrugs her shoulders.
JILL
Who knows?
EXT. BAY CITY - LATER
Mary has just left the hospital in her Lumina and spots a
Mercedes dealership. She pulls into the driveway.
INT. MERCEDES DEALERSHIP - DAY
Mary is inside the Mercedes dealership. She is looking at
SL500 on the floor.
A salesman comes over to her.
SALESMAN
May I help you?
MARY
Yes, you can. I need something
fast.
SALESMAN
Well, this one right here can do
over one-hundred and fifty miles an
hour.
MARY
No, I'm sorry. I need something
fast, as in an hour I want to be
driving it home.
The salesman smiles.
SALESMAN
I can do that!
EXT. WILTSES BAR - DAY
Mary is speeding down the road in her new Mercedes on the way
to Caro. She passes Wiltse's bar and slams on the brakes. The
car leaves skid marks in the street as she turns into the
parking lot.
INT. WILTSES BAR - DAY
Mary is sitting at the nearly empty bar talking with Rod.
ROD
I knew there was something familiar
about you. Couldn't quite put my
finger on it. What should I call
you, Mary or Samantha?
MARY
I think I like Mary better. Here
anyway. I'm a nicer person.
ROD
Hard to believe you can be anything
other than nice.
MARY
As Sam, I always have to be on
guard. I can't tell if people like
me for me or because I'm in movies.
ROD
It's hard to be yourself if you're
always worried about people's
motives.
Rod goes to serve another customer. He comes back.
MARY
You don't belong here.
ROD
Where do I belong?
MARY
Somewhere you can be yourself.
ROD
What gave it away?
MARY
Casadei shoes. There are very few
men that would know them.
ROD
At one time, I sold shoes. Among my
thirty-odd occupations.
Mary laughs.
MARY
Why are you here?
ROD
I came back after my mom died so my
dad wouldn't be all alone. I
couldn't let him live so alone for
the rest of his years. This is the
only job I could get.
MARY
That's nice of you.
ROD
I'll be able to go back to being me
after he's gone.
Mary looks out toward the parking lot, hoping to see Andy
pull in.
ROD (cont'd)
What did he say?
MARY
Who?
Rod just looks at her. She knows who.
MARY (cont'd)
He didn't say anything. He just
left. Won't take my calls.
ROD
What did the Emerys say?
MARY
Still a little shocked. I'm buying
their business so they can pay for
his medical treatment. The
treatments aren't covered and they
can't afford them.
ROD
I'm surprised.
MARY
That I did it?
ROD
No. That they let you buy it. I've
been wanting to buy it for years.
Couldn't get the downpayment.
Rod looks over to the door
ROD (cont'd)
Looks like you have admirers.
He points over to Karen and Deanna who are walking over to
her. They both come over acting like typical fans.
KAREN
I loved you in that rock movie. You
were so realistic.
DEANNA
I've seen all your movies. I just
love you.
Deanna is so excited, she wants to hug her, but is afraid.
Mary reaches out for a hug.
MARY
I'm sorry I lied to you two. I'm
researching a part for a movie.
KAREN
We understand completely!
DEANNA
Can we be in it?
MARY
I'll talk to the casting director.
I'm not sure where it's going to be
filmed though. I'm sure I can get
you in as an extra of something.
DEANNA
That's so great!!!!
EXT. EMERYS MARKET - DAY
Mary is in the market with lawyers signing the paperwork to
buy the market.
INT. HOSPITAL ROOM - DAY
The Emery's are given a check for their business.
INT. MARYS APARTMENT - MORNING
Mary is packing up her belongings. A knock on the door. She
goes to open it. It's Andy. He's less mad.
ANDY
So is it Mary or Samantha or maybe
another name I don't know about.
MARY
It's Mary. My given name.
ANDY
How is George?
MARY
He's better. Going to the cancer
clinic.
ANDY
I heard. That was a great thing you
did.
MARY
Anyone would have, if they were in
my position. I just did what was
right.
ANDY
No. You gave up a role and saved
his life.
MARY
He's not out of danger. There is
still only a fifty-fifty chance.
She wipes a tear away.
ANDY
I'm sorry I left like I did. I got
tired of the games and lies when I
was in New York. Thought I left
them behind.
MARY
What do you want me to do? I said
I'm sorry. I really wish this all
wouldn't have happened with you and
I. I didn't do this to hurt you.
ANDY
I realize you didn't intend to but
you did.
MARY
Do you hate me?
ANDY
I don't hate you. I don't like some
of what you did, but I don't hate
you.
MARY
You don't like me?
ANDY
I never said that.
She smiles a little.
MARY
You still like me?
ANDY
Well, I never said that either.
He smiles. She moves closer.
MARY
Can I have a hug?
ANDY
Of course.
They hug.
MARY
This feels nice.
They continue to hold each other.
ANDY
So you're a business owner now…
MARY
Yes.
They break apart, afraid of getting too close.
ANDY
Going to spend any time in the
area?
MARY
Think it's economically feasible to
keep it open?
ANDY
No, but it would be nice to see
your smiling face around here every
now and then.
She smiles.
MARY
Not as much as I'd like. Like to
run it for me? I'll fly you out so
you can give me business updates.
ANDY
Thanks, but I have a business to
run of my own. And I hate flying.
This ruins any chance of a relationship. He won't leave and
she won't stay.
MARY
Will you update me on George's
condition?
ANDY
Sure, I'll call when I hear
anything.
MARY
Can you drive me to the airport? I
have a flight early in the morning.
We can drive down tonight, stay at
a great hotel and have room service
in the hot tub.
ANDY
As good as that sounds, I need to
be here. It will be too hard for me
to watch you go.
He checks his watch.
ANDY (cont'd)
I better go, Dad will wonder where
I am.
MARY
So this is it?
ANDY
It's not Hollywood. We can't have a
fairytale ending.
MARY
I know. I wish we could.
ANDY
I think it will be easier this way.
He moves toward the door and opens it. He looks back.
ANDY (cont'd)
You would have made a great Dana.
You played a great Mary.
MARY
I wasn't playing.
He smiles and closes the door.
INT. WILTSES BAR - EVENING
Mary walks in and sits at the bar. Rod greets her.
ROD
Hey sexy.
MARY
You are such a flatterer.
ROD
Just my nature.
MARY
You like it here?
ROD
Here the bar? Here the city?
MARY
Bar.
ROD
Not really.
MARY
Do me a favor?
ROD
Depends.
MARY
Run Emery's Market for me. I'll pay
you what you make here and give you
enough money to make it something
special.
Rod thinks about it.
ROD
Do I have to keep the same stock?
MARY
No. You have complete control of
inventory.
ROD
I can make it a specialty food
place?
MARY
Sure. But you can't change the
decor. I want it left the way it
is. Deal?
ROD
When do I start?
MARY
Now. You're first order of business
is to drive me to Detroit. I have
to go make a movie.
She throws him the keys to the Mercedes.
MARY (cont'd)
New company car.
(pause)
Your new company car.
INT. AIRPLANE - MORNING
Mary settles herself into the first class seat on her flight
home. She has a stack of Hollywood magazines. Her newspapers.
The flight attendant arrives.
FLIGHT ATTENDANT
Can I get you something to drink?
MARY
Yes, please. Can I have a glass of
champagne?
FIGHT ATTENDANT
Yes. I will get you a glass.
Mary thinks about it.
MARY
Excuse me. I've changed my mind.
Can I have a beer instead?
INT. MOVIE SET - DAY
Jill and Samantha are together in a death scene. Samantha
lies in bed. Jill is holding her hand next to her.
SUPER: "SIX MONTHS LATER HOLLYWOOD, CA."
JILL (AS DANA)
You were always the strong one,
momma said.
SAMANTHA (AS MELISSA)
I can't be strong anymore. It's too
hard. I can't take the pain
anymore. Please help me…
Samantha starts to cry and nails the take.
JILL (AS DANA)
I'll do..
Suddenly, Jill gets up, ruining the perfect take.
JILL (cont'd)
Dammit, there was a bug crawling up
my leg.
The director and about 40 other people on the set moan.
INT. MARYS TRAILER - DAY
She dials a number on her cell phone. An answer. She smiles.
SAMANTHA
Hey car guy.
EXT. CARO STREET - DAY
Andy is hooking up a car to the hook to take it to the shop
talking to Mary.
ANDY
Hey moviestar, what's going on
there in Hollywood?
SAMANTHA (O.S)
Can't tell you. You need to find
out for yourself.
Andy smiles.
ANDY
Can't the boss says I'm too busy.
INT. MARYS TRAILER - DAY
She's on her couch.
SAMANTHA
You need a new boss. How is George?
ANDY (O.S.)
About the same, last I heard. Not
really getting better, but not
getting any worse.
SAMANTHA
I need to call them.
Her trailer door opens. It's her assistant, LINDA.
LINDA
They need you now.
SAMANTHA
(to Andy)
I need to go now. They need me.
ANDY (O.S)
Be good.
SAMANTHA
That's no fun.
INT. EMERYS MARKET - AFTERNOON
The inside of the store is transformed into a beautiful
gourmet food and wine store. Customers wander through while a
beaming Rod supervises his employees.
INT. HOSPITAL ROOM - EVENING
Myna sits with her ill husband. A nurse comes in to check on
a sleeping George. She smiles at Myna.
EXT. MOVIE WRAP PARTY - LATE EVENING
Samantha is walking around the party. People of all ages are
drinking and partying. Samantha is watching and catching bits
of conversations as she walks by them.
OLDER MAN
...but I told her, get the surgery,
you're almost thirty...
Walking by young actress.
YOUNG ACTRESS
He wanted sex for the part, but I
told him, if I sleep with you, I'm
not taking a supporting role, I
want the lead.
Walking by a young actor
YOUNG ACTOR
...then we got all this blow and
partied all week.
Walking by a middle-age exec talking to another middle-age
exec.
MIDDLE AGE EXEC #1
...I don't care either way. I know
I'm going to have to pay her seven
figures to get rid of her.
MIDDLE AGE EXEC #2
Are you still paying the other ex?
MIDDLE AGE EXEC #1
Two of them.
MIDDLE AGE EXEC #2
What about the place in Martha's
Vinyard?
Then she walks by Jill who is holding court.
JILL
Of course I'll be nominated. It's
roles like this that define an
actress' career.
The hanger-on nod and agree. Mary is disgusted by it all.
EXT. WRAP PARTY - LATE EVENING
Samantha walks to her limo alone. The chauffeur goes to open
her door. She backs off.
SAMANTHA
I think I'll walk home instead.
CHAUFFEUR
Are you sure?
SAMANTHA
Yes. I'm sure.
The chauffeur gets back into the vehicle as Samantha starts
her walk home. She listens to the sounds of the city. Sirens.
The odors. The filth of the city. A newspaper blows against
her feet.
INT. SAMANTHAS LIVING ROOM - LATER
Samantha is dialing a number on the phone. She waits for the
answering machine message to end.
SAMANTHA
Kyle, It's Sam. I need to get away.
I'm going to Cancun for a few
weeks. You will be able to get me
on my cell if you need me.
INT. AIRPORT - MORNING
Samantha is wearing a floppy hat and sunglasses walking
through the airport. She has a carry-on bag. Nobody
recognizes her. She walks slowly almost in a daze. She looks
up to the flight board, searching for her flight to Cancun.
She finds it. It's delayed. Right below the flight to Cancun
is a flight to Detroit. On time.
INT. PLANE - MORNING
The plane is beginning to fill as Samantha walks toward her
seat. She is not use to walking that far for her seat. She's
now sitting in coach. She finds her seat next to a fat middle
age man. She smiles at him.
SAMANTHA
Hi.
INT. PLANE - LATER
The man is showing pictures of his kids.
FAT MAN
This is Andrew. We call him A.J.
The flight attendant reaches their seats.
FIGHT ATTENDANT
Something to drink?
FAT MAN
Orange juice for me please.
Samantha thinks.
SAMANTHA
I think I'll have a beer, please.
INT. CHURCH PEW - AFTERNOON
Myna is sitting alone in an pew, wiping tears from her eyes.
She is holding a bible. People come by and touch and whisper
to her. A priest comes to her.
PRIEST
He looks so good.
Myna nods to him and smiles.
Suddenly the organ starts, it's the WEDDING MARCH. This isn't
a funeral for George, it's a wedding!
INT. CHURCH - AFTERNOON
Andy stands proudly with the priest, his best man and
groomsmen. They are dressed in traditional tuxedos.
INT. CHURCH - AFTERNOON
The wedding march continues from the organ. All eyes are on
the rear of the church. Samantha/Mary comes through the door
holding the arm of a now-healthy George.
FADE OUT.
SUPER: "ONE YEAR LATER"
INT. LIVING ROOM - DAY
Mary is sitting on a couch nursing a baby. The television is
tuned to the biggest night of the year for Hollywood. Andy
enter the room and sits next to her. They are about to
announce an award. The finalists in attendance are shown on
the corners of the screen.
ON TV
ACTRESS (V.O.)
And the award for Best Actress goes
to...
A dramatic pause while she opens the envelope.
ACTRESS (V.O.)
Samantha Ashley for Heights of
Dispair!!
The audience applauds. The camera goes to Jill, who scowls
and rises to leave.
Andy hugs her and the baby.
ANDY
(to the baby)
Mommy won an award.
MARY/SAMANTHA
(indicating the baby)
This is my prize.
ON TV
ACTRESS (V.O.)
Samantha could not make it tonight.
She's happily playing mommy in an
undisclosed location.
Mary holding her baby.
FADE TO BLACK.
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Script created with Final Draft by Final Draft, Inc.